Luis Vega

Birthplace:
Brooklyn, New York, U.S.

Luis Vega is an Actor, Writer, and Educator based in Brooklyn, NY. Over a 20-year career as an actor he has worked in theater, film, tv, commercials, and voiceovers. New York Theater: BUENA VISTA SOCIAL CLUB (Atlantic Theater Company); TARTUFFE (Moliere in the Park); THE GETT (Rattlestick Theater); HINDSIGHT (Fault Line Theater Company); THE UNDERLYING CHRIS (Second Stage); TELL HECTOR I MISS HIM (Atlantic Theater Company); i thought i would die but i didn’t (New Georges/The Tank). Regional Theater: LAUGHS IN SPANISH (Denver Center); CHANGE AGENT (Arena Stage); THE HUMANS (Broadway National Tour); WHERE STORMS ARE BORN (Williamstown); THE UNDERPANTS (Old Globe); SEIZE THE KING (La Jolla Playhouse); AS YOU LIKE IT (Guthrie). Film/TV: “BLUE BLOODS” (CBS), “THE GOOD FIGHT” (Paramount +), “MADAM SECRETARY” (CBS), ANOTHER EARTH (Fox Searchlight).  Luis has taught Acting Technique and Scene Study at both UCSD and the New York Film Academy. His first original play THE LAST BARNSTORM won Teatro Vivo’s Austin Latino New Play Festival in 2017. Luis is an Associate Artist with Fault Line Theatre and holds a BA in English from Columbia University as well as an MFA in Acting from UCSD. Other teachers Luis has studied under include William Esper (Meisner Technique), Kristin Linklater (Shakespeare), Austin Pendleton (Scene Study), and Bob Krakower (On Camera Technique). “

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.