Stanislaw Sebel

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Cinematography:
1911  Antek Klawisz, bohater Powiśla
1911  Chasydka i odstępca
1911  Dzień kwiatka
1911  Skandal na ulicy Szopena
1912  God, Man and Satan
1912  Wojewoda
1913  Bigamistka
1913  Fatalna klątwa
1913  Grzech
1913  Halka
1913  Zemsta spoza grobu
1914  Fatalna godzina
1914  Męty z Warszawy
1914  Tajemnica pokoju nr 100
1914  Wróg tanga
1920  For You, Poland
1920  Nie damy ziemi, skąd nasz ród
1921  Pan Twardowski
1921  Tamten
1921  Tragedia Rosji i jej trzy epoki
1922  Przed sądem
1922  Za trzy spojrzenia
1923  Bożyszcze. W sidłach uwodziciela
1923  Karczma na rozdrożu
1923  Otchłań pokuty
1924  Śmierć za życie. Symfonia ludzkości

Director of Photography:
1911  Antek Klawisz, bohater Powiśla
1911  Chasydka i odstępca
1911  Dzień kwiatka
1911  Skandal na ulicy Szopena
1911  The Harsh Father
1911  The Stepmother
1912  God, Man and Satan
1912  The Forgotten
1912  Wojewoda
1913  Bigamistka
1913  Fatalna klątwa
1913  Grzech
1913  Halka
1913  Zemsta spoza grobu
1914  Fatalna godzina
1914  Męty z Warszawy
1914  Tajemnica pokoju nr 100
1914  Wróg tanga
1915  Di farshtoysene tokhter
1918  Father Sergius
1920  For You, Poland
1920  Nie damy ziemi, skąd nasz ród
1921  Pan Twardowski
1921  Tamten
1921  Tragedia Rosji i jej trzy epoki
1922  Przed sądem
1922  Za trzy spojrzenia
1923  Bożyszcze. W sidłach uwodziciela
1923  Karczma na rozdrożu
1923  Otchłań pokuty
1924  Śmierć za życie. Symfonia ludzkości

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.