Tom Moore (1883-1955)

Alias:
Thomas J. Moore
Thomas Moore

Birthplace:
Fordstown Crossroads, County Meath, Ireland

Born:
May 1, 1883

Died:
February 12, 1955

From Wikipedia  Thomas J. "Tom" Moore (May 1, 1883 – February 12, 1955) was an Irish-born American actor and director. He appeared in at least 186 motion pictures from 1908 to 1954. Frequently cast as the romantic lead, he starred in silent movies as well as in some of the first talkies.  Born in Fordstown Crossroads, County Meath, Moore, along with his brothers, Owen, Matt, and Joe (1895–1926), and their sister Mary (1890-1919) emigrated to the United States. Owen and Matt also had successful movie careers. Tom Moore appeared in his first silent motion picture in 1908. He also directed 17 motion pictures in 1914 and 1915, including The Secret Room (1915).  In 1914, he married silent star Alice Joyce, with whom he had a daughter, Alice Moore (1916–1960), who acted in six films with her father from 1934 to 1937. While in New York City on New Year's Eve 1920, Moore met the young French actress Renée Adorée. A whirlwind romance ensued and six weeks after their meeting, they were married, on February 12, 1921, in his home in Beverly Hills. The marriage lasted only a few years. In 1931, Moore was married a third time, to actress Eleanor Merry. His brother, Owen Moore, was also an actor, and was married to Mary Pickford.  The Great Depression saw many studios close and much consolidation as the motion picture industry went through tough times. Moore retired from the screen in the mid-1930s. Ten years later, he returned to act in minor supporting roles.  Tom Moore died at age 71 in Santa Monica, California. He has a star on the Hollywood Walk of Fame at 1640 Vine Street.

Additional information:

The Search Form


Director:
1915  The Cabaret Singer
1915  The Secret Room

Writer:
1915  The Cabaret Singer
1915  The Secret Room

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.