Manuel Pinto Barros

Gallery Unavailable

Additional information:

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Cinematography:
2019  Boca do Inferno

Colorist:
2015  Irmãos
2019  Boca do Inferno

Director of Photography:
2009  Consequências
2011  Dia de Visita
2011  Pai Natal
2013  Bicicleta
2015  Amélia & Duarte
2015  Irmãos
2016  Longe
2018  Between the Shadows
2018  Luana
2018  Ride
2019  Boca do Inferno
2019  The Night's Advices
2020  Fronteira
2020  O Rapaz do Tambor
2020  War
2021  A Abóbada
2021  A Pereira da Tia Miséria
2021  As Cinzas da Mãe
2022  The Pink Jacket
2023  One Hell of a Movie

Sound:
2009  Consequências
2011  Dia de Visita
2011  Pai Natal
2013  Bicicleta
2015  Amélia & Duarte
2015  Favio: Chronicle of a Director
2015  Irmãos
2016  Longe
2018  Between the Shadows
2018  Luana
2018  Ride
2019  Boca do Inferno
2019  The Night's Advices
2020  Fronteira
2020  O Rapaz do Tambor
2020  War
2021  A Abóbada
2021  A Pereira da Tia Miséria
2021  As Cinzas da Mãe
2022  The Pink Jacket
2023  One Hell of a Movie

Director of Photography:
2022  Cuba Libre
2023  Projeto Delta

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.