A work in constant progress (and occasional regress).
Birthplace:
New York City, New York, USA
Born:
January 1, 1937
Born in 1937, Peter Campus studied experimental psychology at Ohio State College and film at the City College of New York. His early tapes explore the anatomy of the video signal in relation to human psychology and perception. "The video camera makes possible an exterior point of view simultaneous with one's own. This advance over the film camera is due to the vidicon tube, similar to the retina of the eye, continually transposing light (photon) energy into electrical energy... It is easy to utilize video to clarify perceptual situations because it separates the eye-surrogate from the eye-brain experience we are all too familiar with." Campus was one of a group of artists in the mid-70s who produced work in the experimental TV labs at WGBH in Boston and WNET in New York. In addition to numerous single-channel works, he has investigated the characteristics of "live" video through closed-circuit video installations and elaborate sculptural works whose structural components included video cameras, projectors, and monitors.
Camera Operator:
1968 Wind
Cinematography:
1968 Wind
2019 shinnecock bay: leeward
2019 shinnecock bay: locks eddy
Director:
1968 Wind
1971 Double Vision
1971 Dynamic Field Series
1973 Three Transitions
1974 R-G-B
1974 Set of Co-incidence
1976 East Ended Tape
1976 Four Sided Tape
1976 Third Tape
1997 Winter Journal
2000 Death Threat
2019 shinnecock bay: leeward
2019 shinnecock bay: locks eddy
???? Kiva
Director of Photography:
1968 Wind
1971 Double Vision
1971 Dynamic Field Series
1973 Three Transitions
1974 R-G-B
1974 Set of Co-incidence
1976 East Ended Tape
1976 Four Sided Tape
1976 Third Tape
1997 Winter Journal
2000 Death Threat
2019 shinnecock bay: leeward
2019 shinnecock bay: locks eddy
???? Kiva
Editor:
1968 Wind
1971 Double Vision
1971 Dynamic Field Series
1973 Three Transitions
1974 R-G-B
1974 Set of Co-incidence
1976 East Ended Tape
1976 Four Sided Tape
1976 Third Tape
1997 Winter Journal
2000 Death Threat
2019 shinnecock bay: leeward
2019 shinnecock bay: locks eddy
???? Kiva
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.