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Nazli Dinçel

Birthplace:
Ankara, Turkey

Biography from TheMovieDB

Nazlı Dinçel’s work reflects on experiences of disruption. They record the body in context with arousal, immigration, dislocation and desire in juxtaposition with the medium’s material: texture, color and the passing of emulsion. Their use of text as image, language and sound attempts the failure of memory and their own displacement within a western society.  Born in Ankara, Turkey, Nazlı Dinçel came as an immigrant to the United States at the age of 17. Their works have been exhibited in numerous solo and programmed screenings around the world including Tiger Shorts competition at IFFR, Museum of Moving Image, Edinburgh International Film Festival and Dallas Contemporary Art Museum. They won the title for Best Experimental Film at the Chicago Underground Film Festival in 2015 with Her Silent Seaming (2014).

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Additional information:

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Film Performances

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Film Production

Camera Operator:
2017  Shape of a Surface

Director:
2009  Reframe
2011  Interval
2011  Leafless
2014  Her Silent Seaming
2014  Sharing Orgasm: Communicating Your Sexual Responses
2016  Solitary Acts (4, 5, 6)
2016  Untitled
2016  VOID (4.INABILITY)
2017  Shape of a Surface
2018  Between Relating and Use
2018  Dreaming In The Dark
2018  Hands: Oxes
2018  Instructions on How to Make a Film

Editor:
2009  Reframe
2011  Interval
2011  Leafless
2014  Her Silent Seaming
2014  Sharing Orgasm: Communicating Your Sexual Responses
2016  Solitary Acts (4, 5, 6)
2016  Untitled
2016  VOID (4.INABILITY)
2017  Shape of a Surface
2018  Between Relating and Use
2018  Dreaming In The Dark
2018  Hands: Oxes
2018  Instructions on How to Make a Film

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.