A work in constant progress (and occasional regress).
Alias:
Jackie Reynal
Key Makeup Artist:
1967 Lamiel
1981 Hotel America
1985 The Telephone Always Rings Twice
1986 Charlotte for Ever
2004 Look at Me
2007 Those Who Remain
Makeup Artist:
1958 The Overworked
1962 Vivre Sa Vie
1966 The Gardener of Argenteuil
1966 The Nun
1967 Anna
1967 Lamiel
1969 The Night of the Following Day
1971 Murmur of the Heart
1971 Ten Days' Wonder
1973 The Dominici Affair
1979 Memoirs of a French Whore
1980 The Party
1981 Hotel America
1983 Waiter!
1985 The Telephone Always Rings Twice
1986 Charlotte for Ever
1987 Masques
1995 The Son Of...
1998 The Misadventures of Margaret
2004 Look at Me
2007 Those Who Remain
Makeup Department Head:
1958 The Overworked
1962 Vivre Sa Vie
1966 The Gardener of Argenteuil
1966 The Nun
1967 Anna
1967 Lamiel
1969 The Night of the Following Day
1971 Murmur of the Heart
1971 Ten Days' Wonder
1973 The Dominici Affair
1979 Memoirs of a French Whore
1980 The Party
1981 Hotel America
1983 Waiter!
1985 The Telephone Always Rings Twice
1986 Charlotte for Ever
1987 Masques
1995 The Son Of...
1998 Something to Believe In
1998 The Misadventures of Margaret
2004 Look at Me
2007 Those Who Remain
Makeup Designer:
1958 The Overworked
1962 Vivre Sa Vie
1966 The Gardener of Argenteuil
1966 The Nun
1967 Anna
1967 Lamiel
1969 The Night of the Following Day
1971 Murmur of the Heart
1971 Ten Days' Wonder
1973 The Dominici Affair
1978 Your Turn, My Turn
1979 Memoirs of a French Whore
1980 The Party
1981 Hotel America
1983 Waiter!
1985 The Telephone Always Rings Twice
1986 Charlotte for Ever
1987 Masques
1995 The Son Of...
1998 Something to Believe In
1998 The Misadventures of Margaret
2004 Look at Me
2007 Those Who Remain
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.