Christopher Charles Kempinski

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Alias:
Chris Kempinski
Christopher Kempinski

Additional information:

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"A" Camera Operator:
2017  From Straight A's to XXX
2018  Cooking with Love

"B" Camera Operator:
2016  Unleashing Mr. Darcy
2017  From Straight A's to XXX
2018  Cooking with Love

Additional Photography:
2016  Unleashing Mr. Darcy
2017  From Straight A's to XXX
2018  Cooking with Love
2018  The Miracle Season

Camera Operator:
2015  Blackburn
2016  Unleashing Mr. Darcy
2017  Cold Zone
2017  From Straight A's to XXX
2018  Cooking with Love
2018  The Miracle Season

Cinematography:
2015  Blackburn
2016  Unleashing Mr. Darcy
2017  Cold Zone
2017  From Straight A's to XXX
2018  Cooking with Love
2018  Mingle All the Way
2018  The Miracle Season

Director of Photography:
2014  Earthlickers
2015  Blackburn
2016  Unleashing Mr. Darcy
2017  Cold Zone
2017  Dead Shack
2017  From Straight A's to XXX
2018  A Midnight Kiss
2018  Cooking with Love
2018  Falling for You
2018  Mingle All the Way
2018  The Miracle Season
2018  Wedding of Dreams
2019  A Brush with Love
2019  A Winter Princess
2019  Love, Take Two

Lighting Technician:
2004  Scooby-Doo 2: Monsters Unleashed
2014  Earthlickers
2015  Blackburn
2016  Unleashing Mr. Darcy
2017  Cold Zone
2017  Dead Shack
2017  From Straight A's to XXX
2018  A Midnight Kiss
2018  Cooking with Love
2018  Falling for You
2018  Mingle All the Way
2018  The Miracle Season
2018  Wedding of Dreams
2019  A Brush with Love
2019  A Winter Princess
2019  Love, Take Two

Still Photographer:
2004  Scooby-Doo 2: Monsters Unleashed
2014  Earthlickers
2015  Blackburn
2016  Unleashing Mr. Darcy
2017  Cold Zone
2017  Dead Shack
2017  From Straight A's to XXX
2018  A Midnight Kiss
2018  Cooking with Love
2018  Falling for You
2018  Mingle All the Way
2018  The Miracle Season
2018  Wedding of Dreams
2019  A Brush with Love
2019  A Winter Princess
2019  Love, Take Two
2020  Chasing the One

Director of Photography:
2020  Helstrom

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.