A work in constant progress (and occasional regress).
Elena Pardo is a visual artist and documentary, experimental and animation filmmaker living in Mexico City. She explores the possibilities offered by photochemical films for preserving and capturing images, working in a laboratory. Since 2005, she has been a member of the extended film collective Trinchera Ensamble. She is also co-founder and current director of Laboratorio Experimental de Cine [Experimental Film Laboratory] (LEC), an artistic project that came into being in 2013. LEC engages in the dissemination, production, educational activities and programming of content in different cinematic formats.
Art Direction:
2015 The Exile
2016 Life on Mars
Camera Operator:
2007 Lila Downs - Lotería Cantada
2012 Children’s Game #12: Musical Chairs
2012 Children’s Game #13: Piñata
2015 The Exile
2016 Life on Mars
Cinematography:
2007 Lila Downs - Lotería Cantada
2007 Lives for Sale
2012 Children’s Game #12: Musical Chairs
2012 Children’s Game #13: Piñata
2015 The Exile
2016 Life on Mars
2023 Leave What Scares You
Director:
2003 Fuego
2004 Juquilita
2005 Tierra
2007 Lila Downs - Lotería Cantada
2007 Lives for Sale
2009 Mi Barrio
2012 Children’s Game #12: Musical Chairs
2012 Children’s Game #13: Piñata
2012 Lila Downs - Pecados y Milagros
2015 The Exile
2016 Desaparecer
2016 Life on Mars
2018 De la Naturaleza del Hueso
2018 Inventario Churubusco
2019 Pulsos Subterráneos
2022 On the nature of the bone
2023 Leave What Scares You
2023 Máquinas de palabras
2024 Nanacatepec
???? Por dentro somos color
Editor:
2003 Fuego
2004 Juquilita
2005 Tierra
2007 Lila Downs - Lotería Cantada
2007 Lives for Sale
2009 Mi Barrio
2009 The Very Best Of/El Alma de Lila Downs
2011 Children’s Game #10: Papalote
2011 Children’s Game #11: Wolf and Lamb
2012 Children’s Game #12: Musical Chairs
2012 Children’s Game #13: Piñata
2012 Lila Downs - Pecados y Milagros
2015 The Exile
2016 Desaparecer
2016 Life on Mars
2018 De la Naturaleza del Hueso
2018 Inventario Churubusco
2019 Pulsos Subterráneos
2022 On the nature of the bone
2023 Leave What Scares You
2023 Máquinas de palabras
2024 Nanacatepec
???? Por dentro somos color
Producer:
2003 Fuego
2004 Juquilita
2005 Tierra
2007 Lila Downs - Lotería Cantada
2007 Lives for Sale
2009 Mi Barrio
2009 The Very Best Of/El Alma de Lila Downs
2011 Children’s Game #10: Papalote
2011 Children’s Game #11: Wolf and Lamb
2012 Children’s Game #12: Musical Chairs
2012 Children’s Game #13: Piñata
2012 Lila Downs - Pecados y Milagros
2015 The Exile
2016 Desaparecer
2016 Life on Mars
2018 De la Naturaleza del Hueso
2018 Inventario Churubusco
2019 Pulsos Subterráneos
2022 On the nature of the bone
2023 Leave What Scares You
2023 Máquinas de palabras
2024 Nanacatepec
???? Por dentro somos color
Screenplay:
2003 Fuego
2004 Juquilita
2005 Tierra
2007 Lila Downs - Lotería Cantada
2007 Lives for Sale
2009 Mi Barrio
2009 The Very Best Of/El Alma de Lila Downs
2011 Children’s Game #10: Papalote
2011 Children’s Game #11: Wolf and Lamb
2012 Children’s Game #12: Musical Chairs
2012 Children’s Game #13: Piñata
2012 Lila Downs - Pecados y Milagros
2015 The Exile
2016 Desaparecer
2016 Life on Mars
2018 De la Naturaleza del Hueso
2018 Inventario Churubusco
2019 Pulsos Subterráneos
2022 On the nature of the bone
2023 Leave What Scares You
2023 Máquinas de palabras
2024 Nanacatepec
???? Por dentro somos color
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.