Home

César Díaz (b. 1978)

Birthplace:
Guatemala City, Guatemala

Born:
September 20, 1978

Biography from TheMovieDB

César Díaz (born 20 September 1978) is a Belgian-Guatemalan film director, screenwriter and editor.  Born and raised in Guatemala City, Díaz moved to Belgium in 1998 as a student at the Free University of Brussels. After developing an interest in filmmaking, he enrolled at the La Fémis film school in Paris and studied screenwriting. Since the mid-2000s, Díaz has worked on a number of documentary films, before making his feature-length debut in 2019 with Our Mothers. The film premiered at the 2019 Cannes Film Festival, where Díaz won the Caméra d'Or.  Our Mothers received the André Cavens Award for Best Film given by the Belgian Film Critics Association (UCC) and was selected as the Belgian entry for the Best International Feature Film at the 92nd Academy Awards. It received six nominations at the 10th Magritte Awards, including Best Film and Best Director for Díaz, winning Best First Feature Film.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

Director:
2010  Pourquoi les hommes brûlent-ils?
2019  Our Mothers
????  Fidelidad
????  Mexico 86

Editor:
2010  Pourquoi les hommes brûlent-ils?
2015  Ixcanul
2017  At Home
2019  Our Mothers
2019  Tremors
2019  When They Left
2020  Chaco
????  Fidelidad
????  Mexico 86

Producer:
2010  Pourquoi les hommes brûlent-ils?
2015  Ixcanul
2017  At Home
2019  Our Mothers
2019  Tremors
2019  When They Left
2020  Chaco
????  Fidelidad
????  Mexico 86

Production Director:
2010  Pourquoi les hommes brûlent-ils?
2015  Ixcanul
2017  At Home
2019  Our Mothers
2019  Tremors
2019  When They Left
2020  Chaco
????  Fidelidad
????  Mexico 86

Screenplay:
2010  Pourquoi les hommes brûlent-ils?
2015  Ixcanul
2017  At Home
2019  Our Mothers
2019  Tremors
2019  When They Left
2020  Chaco
2021  1991
????  Fidelidad
????  Mexico 86

Writer:
2010  Pourquoi les hommes brûlent-ils?
2015  Ixcanul
2017  At Home
2019  Our Mothers
2019  Tremors
2019  When They Left
2020  Chaco
2021  1991
????  Fidelidad
????  Mexico 86

Click the heading above to show or hide the list.

TV Performances

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.