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Steven John Ward (b. 1990)

Alias:
Steve John Ward
Steven Ward

Birthplace:
Johannesburg, South Africa

Born:
June 2, 1990

Biography from TheMovieDB

Steven is a South African actor best known for his role as Dracule Mihawk in the Netflix live action adaption of One Piece - the best-selling manga series in history.  Having completed a Bachelor in Live Performance from AFDA, as well as training with several local and international coaches, Steven has appeared in a number of theatre and film productions including, Barefoot in the Park, The Hitch Hikers Guide to the Galaxy, The Day We Didn't Meet, and SAFTA award-winning film, From a House on Willow Street.  Making his television debut in the 2010 Amstel Class Act competition, placing 7th in South Africa, Steven has appeared in numerous commercials and is a regular on television screens worldwide, having played characters in local Telenovela's like Legacy; and international roles in Strike Back and Syfy's Vagrant Queen. Steven's dexterity as an actor saw him cast in South Africa's first commissioned Netflix series, Queen Sono, portraying the role of a Russian mafia gangster, posing as a British philanthropist. In 2024, we saw Steven starring alongside Charlotte Hope in the drama Catch Me A Killer.  The multi-talented Steven is highly sought-after in the voice over booth, having worked with numerous commercial clients in South Africa. Steven's voice brings a rich nuance to any script.  Behind the scenes Steven worked as a Casting Associate/Director for 10+ years giving him invaluable knowledge of what goes into the process of casting an actor and thus helping him hone his own skills for all his on-camera endeavours.

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Additional information:

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Film Performances

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Film Production

Casting Associate:
2017  Van der Merwe

Casting Director:
2017  Van der Merwe
2025  Hunting Jessica Brok

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TV Performances

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TV Production

Casting Associate:
2016  No Man Left Behind

Casting Director:
2007  Banged Up Abroad
2014  Dominion
2016  American Monster
2016  No Man Left Behind

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.