Jake Norton

Birthplace:
Golden, Colorado, USA

Jake Norton is a professional keynote speaker, professional mountain guide, photographer from Golden, Colorado. He has traveled the world for countless clients.  His climbing and photographic exploits have taken him: to the summit of Everest three times (out of six expeditions in total), on five expeditions to the Peruvian Andes, to the summits of continental highpoints Mount McKinley in Alaska, Kilimanjaro in Tanzania, and Aconcagua in Argentina, eighty-eight times to the summit of Mount Rainier in Washington. In 2004, Jake recreated Sir Ernest Shackleton's famous 1917 traverse of South Georgia Island with a group of adventurers from Geographic Expeditions.  As a photographer, Jake has worked for The Discovery Channel, Outdoor Life Network, Outside Magazine, Toyota, Ford Motor Company, National Geographic Adventure, Men's Journal, and countless other national and international publications. His assignments have taken him to Nepal, Tibet, South Africa, Costa Rica, and Iceland. Jake was also a videographer on Everest in 2002, 2003, and 2004. See more of Jake's images at MountainWorld Photography (www.mountainworldphoto.com). Jake is an athlete and photographer for the First Ascent line of technical outerwear by Eddie Bauer (www.firstascent.com). He also serves as Director of the American Mountaineering Museum (www.mountaineeringmuseum.org) in Golden, Colorado, and on the International Advisory Council for The Mountain Institute (www.mountain.org).  Jake has presented keynote speeches to audiences nationwide. From Ford Motor Company executives to the top Sales Team for Keynote Systems, Inc., his clients are continually awed by Jake's stunning presentations, low-key manner, and vital messages.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.