A work in constant progress (and occasional regress).
American Music Award winning composer and multi-instrumentalist, Andrew Orkin, draws influence from a wide array of genres, combining modular synthesis with acoustic instrumentation and experimental production techniques to create unique sonic pallets for each project he scores. His festival laurels include Sundance, Tribeca, Champs-Élysées, SXSW, Berlinale, TIFF and AFI as well as series and films on Hulu, Netflix, Amazon Prime, Mubi, Discovery+, PBS and the CBC. Andrew is also a Fulbright Scholar and Arts Research Africa fellow. His work includes Tribeca award-winning "Materna" (directed by David Gutnik, starring Kate Lyn Sheil, Sturgill Simpson and Rory Culkin), as well as Sundance comedy "Save Yourselves!" (directed by Alex Fischer and Eleanor Wilson, starring Sunita Mani, John Reynolds and Ben Sinclair). Andrew also scored "Dead Pigs" (directed by Cathy Yan, starring Vivian Wu, Zazie Beetz and David Rhysdal), which went on to win a Sundance Jury award. He also produced remixes for Yan's "Birds of Prey" (starring Margot Robbie, Ewan McGregor and Rosie Perez), which featured on the American Music Award winning soundtrack for the film. He also composed for "Lucky Grandma" (directed by Sasie Sealy, starring Tsai Chin) as well as PBS documentary, "Down a Dark Stairwell" (directed by Ursula Liang). Andrew's most recent works are Hannah Peterson's debut feature "The Graduates" (starring John Cho) as well Matt Fifer's sophomore release, "Treatment", (starring Cole Doman) - which are both set for release in 2022. Episodically, Andrew's eight-part Netflix debut, "The Fame Game" (directed by Sri Rao), charted at number one in ten countries for multiple weeks. For Hulu, Andrew penned the music for David Chang's new six-part documentary series, "The Next Thing You Eat". He also scored Will Seefried's web-series "Sink, Sank, Sunk" (starring Laura Linney and Will Seefried) which was later distributed by Revry. Across other mediums Andrew's work includes Off-Broadway play "Mies Julie" (directed by Sharifa Ali) as well as work for multiple virtual reality installations which have featured at Cannes and Sundance. He also scored Oscar Sharp's "Sunspring" (starring Thomas Middleditch) and "It's No Game" (starring David Hasselhoff) which were the first films written entirely by an Artificial Intelligence. His recent solo album, "Cirrus", raised funds for hundreds of food parcels for those going hungry during the pandemic in his home country, South Africa. Andrew is represented by Fortress Talent Management in Los Angeles.
ADR Recordist:
2015 Dope
2020 Viena and the Fantomes
Original Music Composer:
2015 Dope
2016 Sunspring
2018 Dead Pigs
2019 Tic
2020 Down a Dark Stairwell
2020 Lucky Grandma
2020 Materna
2020 Save Yourselves!
2020 The Hunter
2020 Viena and the Fantomes
2022 Homesick
2023 Rule of Two Walls
2023 Two Strikes
2024 Can
2024 The Graduates
Original Music Composer:
2024 Dirty Pop: The Boy Band Scam
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.