Gumer Barreiros

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Camera Car:
1935  Puente Alsina
1941  El mozo número 13

Cinematography:
1935  Puente Alsina
1937  El forastero
1937  Sol de Primavera
1938  La que no perdonó
1939  Chimbela
1939  Retazo
1940  Chingolo
1940  Los ojazos de mi negra
1941  El mozo número 13
1941  La quinta calumnia
1942  Así te quiero
1942  El comisario de Tranco Largo
1942  La luna en el pozo
1942  Orca
1943  Fuego en la montaña
1943  Oro en la mano
1947  Cumbres de hidalguía
1947  El precio de una vida
1948  El cantor del pueblo
1948  La caraba
1948  Pelota de trapo
1950  Fangio, el demonio de las pistas
1950  Historia de una noche de niebla
1951  Mi divina pobreza
1952  La niña de fuego
1953  En cuerpo y alma

Director of Photography:
1931  Buenos Aires Dolls
1935  Puente Alsina
1936  Ayúdame a vivir
1936  El canillita y la dama
1936  El conventillo de la paloma
1937  Bewitching Kisses
1937  El forastero
1937  Sol de Primavera
1938  La ley que olvidaron
1938  La que no perdonó
1939  Ambición
1939  Bartolo tenía una flauta
1939  Chimbela
1939  Cuatro corazones
1939  Retazo
1940  Chingolo
1940  Los ojazos de mi negra
1940  The Charge of the Brave
1941  El mozo número 13
1941  La quinta calumnia
1942  Así te quiero
1942  El comisario de Tranco Largo
1942  La luna en el pozo
1942  Orca
1943  Fuego en la montaña
1943  Oro en la mano
1947  Cumbres de hidalguía
1947  El precio de una vida
1948  El cantor del pueblo
1948  La caraba
1948  Pelota de trapo
1949  Corrientes, calle de ensueños
1950  Fangio, el demonio de las pistas
1950  Historia de una noche de niebla
1950  Hombres a precio
1950  With the sweat of your face
1951  Mi divina pobreza
1952  La niña de fuego
1952  Las zapatillas coloradas
1952  The Crossroads
1953  En cuerpo y alma
1953  La tía de Carlitos
1953  The Hand that Squeezes
1954  La cueva de Alí Babá
1955  Lo que le pasó a Reynoso
1955  Sinfonía de juventud
1956  Edad difícil

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.