A work in constant progress (and occasional regress).
Birthplace:
Sydney, New South Wales, Australia
Les Parrott is a Cameraman known for Bush Outlaws (2008), Mission Manila (1988) and Let it Be (1970)
Assistant Camera:
1978 The Lake
1996 The Rolling Stones Rock and Roll Circus
Camera Operator:
1970 Let It Be
1978 The Lake
1990 Mission Manila
1996 The Rolling Stones Rock and Roll Circus
Clapper Loader:
1968 Sympathy for the Devil
1970 Julius Caesar
1970 Let It Be
1970 Performance
1970 You Can't Win 'Em All
1978 The Lake
1990 Mission Manila
1996 The Rolling Stones Rock and Roll Circus
Director of Photography:
1968 Sympathy for the Devil
1970 Julius Caesar
1970 Let It Be
1970 Performance
1970 You Can't Win 'Em All
1978 The Lake
1990 Mission Manila
1996 Black Man Down
1996 The Rolling Stones Rock and Roll Circus
Focus Puller:
1968 Sympathy for the Devil
1970 Julius Caesar
1970 Let It Be
1970 Performance
1970 You Can't Win 'Em All
1972 Madame Sin
1978 The Lake
1990 Mission Manila
1996 Black Man Down
1996 The Rolling Stones Rock and Roll Circus
Producer:
1968 Sympathy for the Devil
1970 Julius Caesar
1970 Let It Be
1970 Performance
1970 You Can't Win 'Em All
1972 Madame Sin
1978 The Lake
1990 Mission Manila
1996 Black Man Down
1996 The Rolling Stones Rock and Roll Circus
2005 Bomb
Thanks:
1968 Sympathy for the Devil
1970 Julius Caesar
1970 Let It Be
1970 Performance
1970 You Can't Win 'Em All
1972 Madame Sin
1978 The Lake
1990 Mission Manila
1996 Black Man Down
1996 The Rolling Stones Rock and Roll Circus
2001 Smash Cuts! Super Sci-Fi Shorts Fest
2005 Bomb
Camera Operator:
2021 The Beatles: Get Back
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.