Marianne Koch (b. 1931)

Alias:
Марианна Кох

Birthplace:
Munich, Baviére, Allemagne

Born:
August 19, 1931

From Wikipedia, the free encyclopedia.  Marianne Koch (born August 19, 1931 in Munich) is a retired German actress of the 1950s and 1960s, best known for her appearances in spaghetti westerns and adventure films of the 1960s. She later worked as a television host and as a physician.  Between 1950 and 1971, Koch appeared in more than 65 films. In the haunting 1954 espionage thriller Night People she starred alongside Gregory Peck. Sergio Leone's 1964 production A Fistful of Dollars showcased her alongside Clint Eastwood as a civilian tormented by ruthless local gangsters, torn between her husband and child and the villains. In Germany she was probably best-loved for her many years of participation in the highly popular TV game show Was bin ich which ran from the 1950s until 1988 and achieved ratings of up to 75% at its peak.  In 1971, she resumed the medical studies she had broken off in the early 1950s to become an actress. She got her MD in 1974 and practiced medicine until 1997 as a specialist in Munich. In 1976, she was one of the initial hosts of Germany's pioneering talk show 3 nach 9 [Three After Nine], for which she was awarded one of the most prestigious awards of the German television industry, the Grimme Preis. She also hosted other television shows and had a medical advice program on radio.  In 1953, she married the physician Gerhard Freund, with whom she has two sons. The marriage ended in 1973 after Freund began an affair with Miss World 1956, Petra Schürmann, whom he later wed.  Marianne Koch is in a relationship with the publicist Peter Hamm since the mid 1980s.  Description above from the Wikipedia article Marianne Koch, licensed under CC-BY-SA, full list of contributors on Wikipedia​

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.