Adriano Taloni

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Recording Supervision:
1978  L'immoralità

Sound:
1953  Finalmente libero
1954  In the Eddy of Sin
1954  La campana di San Giusto
1954  Mother's Heart
1955  Torna piccina mia!
1956  Time of Vacation
1958  Quando gli angeli piangono
1958  Ragazzi della marina
1959  Juke Box - Screams of Love
1959  Noi siamo 2 evasi
1959  Sign of the Gladiator
1959  The Devil's Cavaliers
1960  Il peccato degli anni verdi
1962  Gli italiani e le donne
1962  La cuccagna
1962  My Son, the Hero
1963  La donna degli altri è sempre più bella
1963  Le motorizzate
1963  The Conjugal Bed
1963  The Organizer
1963  The Strange Type
1964  Le tardone
1969  The Damned Of The Earth
1978  L'immoralità
1984  Rte.: Nicaragua (Carta al mundo)

Sound Mixer:
1953  Finalmente libero
1954  In the Eddy of Sin
1954  La campana di San Giusto
1954  Mother's Heart
1955  Torna piccina mia!
1956  Time of Vacation
1958  Domenica è sempre domenica
1958  Quando gli angeli piangono
1958  Ragazzi della marina
1959  Juke Box - Screams of Love
1959  Noi siamo 2 evasi
1959  Sign of the Gladiator
1959  The Devil's Cavaliers
1960  Il peccato degli anni verdi
1962  Gli italiani e le donne
1962  La cuccagna
1962  My Son, the Hero
1963  La donna degli altri è sempre più bella
1963  Le motorizzate
1963  The Conjugal Bed
1963  The Organizer
1963  The Strange Type
1964  Le tardone
1969  Dillinger Is Dead
1969  The Damned Of The Earth
1969  The Seducers
1969  The Seed of Man
1969  Youth March
1970  Corbari
1972  The Audience
1972  The Grand Duel
1973  Introduction to Arnold Schoenberg’s Accompaniment to a Cinematic Scene
1977  The Seagull
1978  Ecce Bombo
1978  Jailbirds
1978  L'immoralità
1980  Leap Into the Void
1980  Men or Not Men
1984  Farewell to Enrico Berlinguer
1984  Henry IV
1984  Rte.: Nicaragua (Carta al mundo)
1987  How Long Is the Adventure
1990  The Thing
1991  Vito and the Others

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.