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Alicia Herrera

Biography from TheMovieDB

Alicia Herrera is a prominent professional in Production Design and Art Direction with a solid track record in the ecuadorian film and advertising industry. She has worked on renowned cinematic projects such as "Corazón de la Tierra" (2023), based on the indigenous uprising of 1990 in Ecuador, and "Dolores" (2022), a unique portrayal of indigenous leader Dolores Cacuango's life. Alicia's versatility is evident in directing documentaries and coordinating projects like "Measuring the World" (2011). Additionally, she has done the Art Direction in films such as "Misfit" (2020), "Son of Man" (2017) and "Los Wanabis" (2023), and has contributed to over 300 commercial pieces for various national and international brands.

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Film Production

Art Direction:
2007  Sé que vienen a matarme
2023  Los Wánabis

Production Design:
2007  Sé que vienen a matarme
2021  Misfit
2023  Los Wánabis

Set Decoration:
2004  1809-1810: mientras llega el día
2007  Sé que vienen a matarme
2010  Prometeo Deportado
2021  Misfit
2023  Los Wánabis

Set Designer:
2004  1809-1810: mientras llega el día
2007  Sé que vienen a matarme
2010  Prometeo Deportado
2021  Misfit
2023  Los Wánabis

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.