A work in constant progress (and occasional regress).
Birthplace:
Boston, Massachusetts, USA
Born:
October 15, 1917
Died:
February 15, 2004
Janice Miner (October 15, 1917 – February 15, 2004) was an American actress best known as the character Madge the manicurist in Palmolive dish-washing detergent television commercials from the 1960s to the 1990s. Janice Miner was the daughter of a dentist and a painter, and had three brothers, Sheldon, Donald and Lyndsey. She studied at the Vesper George School of Art in her native Boston, then studied acting under Lee Strasberg and others. She made her stage debut in 1945 in a Boston production of Elmer Rice's Street Scene. Miner then became established on radio, and worked through the 1950s in several series simultaneously. Among other roles, she was one of three actresses who played secretary Della Street on Perry Mason and one of five to play girlfriend Ann Williams on Casey, Crime Photographer. She also appeared as Mary Wesley on Boston Blackie. Miner played featured roles in the anthology series Radio City Playhouse, in "Soundless", "Portrait of Lenore" and other episodes. Her appearance in the premiere broadcast of the series "created a minor sensation in the play Long Distance"; the episode proved so popular that she repeated her performance later in the season. From circa 1948 through some time before the series ended in 1957, Miner starred as Julie Erickson, head of the titular orphanage in the soap opera Hilltop House, during most of the show's revival beginning in 1948. The series was sponsored by the Colgate-Palmolive Company, for which she later appeared in a famous, long-running series of television commercials.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.