A work in constant progress (and occasional regress).
Alias:
Faustine Pellpel
Faustine Pelipel works as sound designer, dialogue editor and (first assistant) sound editor for film and television productions.
ADR Editor:
2024 Shifting Gears
Assistant Sound Editor:
2023 The Iron Claw
2024 Shifting Gears
Dialogue Editor:
2015 The Hexecutioners
2016 The Apostle Peter: Redemption
2017 Pyewacket
2017 The Sound
2018 Love, of Course
2019 MatchMaker Mysteries: A Killer Engagement
2023 The Iron Claw
2024 Shifting Gears
Sound:
2015 The Hexecutioners
2016 The Apostle Peter: Redemption
2017 Pyewacket
2017 Salt
2017 The Sound
2018 Love, of Course
2019 MatchMaker Mysteries: A Killer Engagement
2023 The Iron Claw
2024 Shifting Gears
Sound Designer:
2015 The Hexecutioners
2016 The Apostle Peter: Redemption
2017 Pyewacket
2017 Salt
2017 The Heretics
2017 The Sound
2018 Love, of Course
2019 MatchMaker Mysteries: A Killer Engagement
2023 The Iron Claw
2024 Shifting Gears
Sound Editor:
2015 The Hexecutioners
2016 A Bicycle Lesson
2016 The Apostle Peter: Redemption
2017 Game
2017 Pyewacket
2017 Salt
2017 The Heretics
2017 The Sound
2018 Love, of Course
2018 Sidelined
2019 MatchMaker Mysteries: A Killer Engagement
2023 The Iron Claw
2024 Shifting Gears
Sound Effects Editor:
2015 The Hexecutioners
2016 A Bicycle Lesson
2016 Gridlocked
2016 The Apostle Peter: Redemption
2017 Game
2017 Pyewacket
2017 Salt
2017 The Heretics
2017 The Sound
2018 Love, of Course
2018 Sidelined
2018 The Sweetheart
2018 Under the Autumn Moon
2019 MatchMaker Mysteries: A Killer Engagement
2023 Family History Mysteries: Buried Past
2023 The Iron Claw
2024 Shifting Gears
First Assistant Sound Editor:
2016 Wynonna Earp
Sound Editor:
2016 Wynonna Earp
2023 The Spencer Sisters
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.