Trevor Hawkins (b. 1986)

Birthplace:
Kansas City, Missouri, USA

Born:
April 16, 1986

Trevor Hawkins’s unique aesthetic and appetite for cinema, wildlife and adventure have earned him an EMMY, three Vimeo Staff-Picks, the title “Exceptional Filmmaker” from National Geographic and worldwide acclaim throughout the film, television and commercial industries. Hawkins wore many hats on his first feature film, Lotawana, including writer, director, cinematographer, editor and colorist. He is currently in-development of his next movies. Twenty years after their genocide, he was hired by the President of Rwanda to create a film to rebrand the country’s image to the rest of the world. Although not a hunter himself, Hawkins is credited for dramatically reforming the creative and story-telling standards of the hunting industry with the hit show, Heartland Bowhunter.  Hawkins founded the production company, MAMMOTH, in 2010. RW2 represents his commercial work and FilmSupply represents his licensing. Beyond feature films and commercials, he creates documentaries, tourism and wildlife videos, TV shows and photography. He’s a life-long resident of Lake Lotawana, MO and can be found there sailing, skateboarding, wakeboarding, rehabilitating wildlife with his family, working on his cabin and “gettin wet ‘n wild with the other lake rats.”

Additional information:

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Cinematography:
2022  Lotawana

Director:
2010  We Will Make You Whole Again
2022  Lotawana

Director of Photography:
2010  We Will Make You Whole Again
2019  The Jog
2022  Lotawana

Editor:
2010  We Will Make You Whole Again
2019  The Jog
2022  Lotawana

Writer:
2010  We Will Make You Whole Again
2019  The Jog
2022  Lotawana

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.