A work in constant progress (and occasional regress).
Alias:
Diego Luciano González
Birthplace:
San Juan, Puerto Rico
Born:
January 1, 1989
Born in San Juan, Puerto Rico, 1989. Diego began experimenting with cinematography since his childhood, filming many short films in middle school with his little handheld camera. Later on he proceeded to take pictures with small and disposable cameras where he found out he was falling in love with the medium. He then went to the University of Puerto Rico in Bayamón to study a Bachelors in Industrial Engineering. Between classes he kept doing photography and videography. Realizing that engineering wasn't for him, he then started an Associate's Degree in Cinematography at the Colegio de Cinematografía, Artes y Televisión (CCAT). It was there where one professor told him about his "photographic eye", encouraging him to take that path. He then decided to take advantage of such talent, doing various styles of photography and also implementing his photography knowledge to filmmaking. Currently finishing a Bachelors Degree in Digital Photography in Atlantic University, he has been part of various film projects and has been awarded a few times, one of the prizes granting him a scholarship to study film in EICAR, Paris, France. Diego is currently working on various film projects being loyal to his motto “never stop creating.”
Co-Writer:
2015 Seis
Director:
2015 Seis
2016 Autógrafo
2016 Lapso
2016 Lú
Director of Photography:
2015 Seis
2016 Autógrafo
2016 Lapso
2016 Lú
2024 The Episode
Editor:
2015 Seis
2016 Autógrafo
2016 Lapso
2016 Lú
2024 The Episode
Producer:
2015 Seis
2016 Autógrafo
2016 Lapso
2016 Lú
2024 The Episode
Writer:
2015 Seis
2016 Autógrafo
2016 Lapso
2016 Lú
2024 The Episode
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.