A work in constant progress (and occasional regress).
Alias:
Gisela Rosario Ramos Rosa Vázquez
Macha Colón
Assistant Editor:
2020 From Here
Director:
2009 Ten in Music
2014 El hijo de Ruby
2016 Emergencia: Un documental sobre Superaquello
2018 Anthony Legrand, profesional
2018 Cartas de amor para una ícona
2020 From Here
2021 Perfume de gardenias
Editor:
2001 Roots of my Heart
2006 El clown
2009 Ten in Music
2011 Sábado de Gloria
2012 Mi santa mirada
2013 Human Trafficking
2014 El hijo de Ruby
2016 Emergencia: Un documental sobre Superaquello
2018 Anthony Legrand, profesional
2018 Cartas de amor para una ícona
2020 From Here
2021 Alma
2021 Perfume de gardenias
Producer:
2001 Roots of my Heart
2006 El clown
2009 Ten in Music
2011 Sábado de Gloria
2012 Mi santa mirada
2013 Human Trafficking
2014 El hijo de Ruby
2016 Emergencia: Un documental sobre Superaquello
2018 Anthony Legrand, profesional
2018 Cartas de amor para una ícona
2020 From Here
2021 Alma
2021 Perfume de gardenias
Script Supervisor:
2001 Roots of my Heart
2006 El clown
2007 Maldeamores
2009 Ten in Music
2011 Sábado de Gloria
2012 Mi santa mirada
2013 Human Trafficking
2014 El hijo de Ruby
2016 Emergencia: Un documental sobre Superaquello
2018 Anthony Legrand, profesional
2018 Cartas de amor para una ícona
2020 From Here
2021 Alma
2021 Perfume de gardenias
Writer:
2001 Roots of my Heart
2006 El clown
2007 Maldeamores
2009 Ten in Music
2011 Sábado de Gloria
2012 Mi santa mirada
2013 Human Trafficking
2014 El hijo de Ruby
2016 Emergencia: Un documental sobre Superaquello
2018 Anthony Legrand, profesional
2018 Cartas de amor para una ícona
2019 Prótesis
2020 From Here
2021 Alma
2021 Perfume de gardenias
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.