A work in constant progress (and occasional regress).
Alias:
Germán Liñeros
Assistant Camera:
1988 Der Radfahrer von San Cristóbal
1990 Latent Image
1990 One Hundred Children Waiting for a Train
Assistant Director:
1988 Der Radfahrer von San Cristóbal
1990 Angels
1990 Latent Image
1990 One Hundred Children Waiting for a Train
1996 Mi último hombre
Director:
1988 Der Radfahrer von San Cristóbal
1990 Angels
1990 Latent Image
1990 One Hundred Children Waiting for a Train
1996 Mi último hombre
2018 Trawun=ReUnión
Director of Photography:
1988 Der Radfahrer von San Cristóbal
1990 Angels
1990 Latent Image
1990 One Hundred Children Waiting for a Train
1991 Chile: Historia del Sufragio femenino (1889-1949)
1994 Dreams of Ice
1996 Mi último hombre
1997 Raúl Silva Henríquez. Cardenal.
2014 Hands together
2014 Neruda: The Fugitive
2018 RIU, What the Ancestral Chants Tell
2018 Trawun=ReUnión
2021 Breve historia de amor y un par de canciones
Editor:
1988 Der Radfahrer von San Cristóbal
1990 Angels
1990 Latent Image
1990 One Hundred Children Waiting for a Train
1991 Chile: Historia del Sufragio femenino (1889-1949)
1994 Dreams of Ice
1996 Mi último hombre
1997 Raúl Silva Henríquez. Cardenal.
2009 The Night Visitor
2014 Hands together
2014 Neruda: The Fugitive
2018 RIU, What the Ancestral Chants Tell
2018 Trawun=ReUnión
2021 Breve historia de amor y un par de canciones
Producer:
1984 Carrete de verano
1988 Der Radfahrer von San Cristóbal
1990 Angels
1990 Latent Image
1990 One Hundred Children Waiting for a Train
1991 Chile: Historia del Sufragio femenino (1889-1949)
1994 Dreams of Ice
1996 Mi último hombre
1997 Raúl Silva Henríquez. Cardenal.
2009 The Night Visitor
2014 Hands together
2014 Neruda: The Fugitive
2018 RIU, What the Ancestral Chants Tell
2018 Trawun=ReUnión
2021 Breve historia de amor y un par de canciones
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.