Stan Douglas

Birthplace:
Vancouver - Canada

Since the late 1980s, Stan Douglas has created films, photographs, and installations that reexamine particular locations or past events. His works often take their points of departure in local settings, from which broader issues can be identified. Making frequent use of both analog and digital technologies, Douglas appropriates existing Hollywood genres (including murder mysteries and the Western) and borrows from classic literary works (notably, Samuel Beckett, Herman Melville, and Franz Kafka) to create ready-made contextual frameworks for his complex, reimagined narratives that pertain to particular locations or past events.

Additional information:

The Search Form


Director:
1986  Overture
1991  I'm Not Gary
1992  Hors-champs
1995  Der Sandmann
1996  Nu'tka'
1998  Win, Place, Or Show
2001  Journey Into Fear
2003  Suspiria
2005  Inconsolable Memories
2006  Klatsassin
2013  Luanda – Kinshasa
2015  The Secret Agent
2019  Doppelgänger

Director of Photography:
1986  Overture
1991  I'm Not Gary
1992  Hors-champs
1995  Der Sandmann
1996  Nu'tka'
1998  Win, Place, Or Show
2001  Journey Into Fear
2003  Suspiria
2005  Inconsolable Memories
2006  Klatsassin
2013  Luanda – Kinshasa
2015  The Secret Agent
2019  Doppelgänger

Editor:
1986  Overture
1991  I'm Not Gary
1992  Hors-champs
1995  Der Sandmann
1996  Nu'tka'
1998  Win, Place, Or Show
2001  Journey Into Fear
2003  Suspiria
2005  Inconsolable Memories
2006  Klatsassin
2013  Luanda – Kinshasa
2015  The Secret Agent
2019  Doppelgänger

Writer:
1986  Overture
1991  I'm Not Gary
1992  Hors-champs
1995  Der Sandmann
1996  Nu'tka'
1998  Win, Place, Or Show
2001  Journey Into Fear
2003  Suspiria
2005  Inconsolable Memories
2006  Klatsassin
2013  Luanda – Kinshasa
2015  The Secret Agent
2019  Doppelgänger

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.