A work in constant progress (and occasional regress).
Catharine Axley is an independent documentary filmmaker and educator. Her most recent film is ATTLA, a feature documentary co-produced by ITVS and Vision Maker Media, that aired nationally in 2019 as part of PBS' Independent Lens series. ATTLA is a selectee of the 2020-2021 American Film Showcase program through the U.S. Department of State, and was awarded Best Documentary Feature at the 44th American Indian Film Festival and Best Indigenous Film at the 2019 BendFilm Festival, among others. Her films have played at festivals including the San Francisco International Film Festival, DOC NYC, Heartland International Film Festival, Harlem International Film Festival, Banff Centre Mountain Film Festival World Tour, and the United Nations Association Film Festival. She holds an M.F.A. from Stanford University and a B.A. in History and Ethnicity, Race & Migration from Yale University and has taught at the University of Kentucky and Spelman College and now teaches in the Bellisario College of Communications at Penn State University. With support from ITVS, she is currently developing a new feature documentary film for which is a Fall 2021 Logan Nonfiction Fellow. Catharine is a member of SAL Film Group, a small group of filmmakers who contribute time and resources to fellow makers in early stages of development and ideation.
Director:
2016 In Attla's Tracks
2019 ATTLA
Director of Photography:
2016 In Attla's Tracks
2019 ATTLA
Editor:
2016 In Attla's Tracks
2019 ATTLA
Sound:
2015 My Aleppo
2016 In Attla's Tracks
2019 ATTLA
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.