Gérard Cairaschi

Birthplace:
Brignoles, France

Gérard Cairaschi is a multimedia visual artist (photography, video, films, film installation and video installation). Born in 1956 in Brignoles (Var), he lives and works in Paris.  From 1974 to 1979, he studied at the School of Fine Arts in Aix en Provence. A pupil of Louis Bec and Vincent Bioules, he obtained the Higher National Diploma of Plastic Expression in 1979 with congratulations from the jury. In 1980, he participated in the 11th Biennale de Paris - selection films.  Since 1981, he has been a professor at the Regional School of Fine Arts then at the Superior School of Art and Design of Reims as a visual artist in charge of the video-film-sound workshop in charge of the plastic approach of video, film and sound  Since 1974 he has produced films, videos and installations and has participated in numerous plastic arts exhibitions in museums and galleries and is regularly invited to film and video festivals in France (Paris, Clermont-Ferrand, Valenciennes ...) and all over the world (Montreal, Tokyo, Nagoya, Athens, Basel, Locarno, Lisbon, Osnabrück, Sofia ...).  He has produced several videos in collaboration with visual artists, notably with Michel Journiac the videos Messe pour un corps, Action de corps exclu and Device murder and inauguration.  His videos are in the collections of the National Museum of Modern Art at the Center Pompidou, the European House of Photography, Harvard Film Archive, Harvard University Cinematheque in Cambridge, USA.  In 1999 he received the Video Creation Prize from SCAM and recently the Special Jury Prize at the Videolisboa International Video Festival 2000, Lisbon.  Two extracts from his videos - Mémoire (s) and Oversight - appear in the documentary L'Art Vidéo devoted to the history of video art produced by Aude de la Fourcade with the collaboration of Jean-marie Duhard. This documentary broadcast on the France 5 / ARTE channel in February 2002 is co-produced by the Musée national d'art moderne, Center Pompidou.

Additional information:

The Search Form


Cinematography:
1983  Action de corps exclus

Director:
1975  Messe pour un corps
1976  Table
1977  Radio
1977  Sur le film/dans la photo
1979  4 x 1 x 2
1979  Mur d'une pièce
1980  Image multiple
1983  Action de corps exclus
1985  Dispositif meurtre et inauguration
1995  Quinae
1999  Mémoire(s)
2002  Michel J
2004  Eden
2008  menSonges
2010  Magia
2012  Silences
2013  M.O.V.I.E.
2013  Storia
2015  Immagine
2017  Irae
????  Délices
????  Exit
????  Oversight

Editor:
1975  Messe pour un corps
1976  Table
1977  Radio
1977  Sur le film/dans la photo
1979  4 x 1 x 2
1979  Mur d'une pièce
1980  Image multiple
1983  Action de corps exclus
1985  Dispositif meurtre et inauguration
1995  Quinae
1999  Mémoire(s)
2002  Michel J
2004  Eden
2008  menSonges
2010  Magia
2012  Silences
2013  M.O.V.I.E.
2013  Storia
2015  Immagine
2017  Irae
????  Délices
????  Exit
????  Oversight

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.