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Jeff Pinilla (b. 1988)

Born:
November 17, 1988

Biography from TheMovieDB

Jeff Pinilla is an Emmy Award winning filmmaker, writer, producer, director, and editor. His narrative film, documentary and commercial work has been recognized with numerous honors, including 4 Emmy Awards, 7 Promax Gold Awards, 6 Telly Awards for “Best Narrative Director” and a total 12 Emmy Award nominations.

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Additional information:

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Film Production

Director:
2011  After Ever After: Or Numbers on a Napkin
2011  The First 36 hours: An Inside Look at Hurricane Sandy
2013  The Earth, the way I left it
2015  Goodnight Moon
2017  Kid Wise - Hold On
2017  Son of Sam: The Killer Speaks
2018  The Dead Can Talk: A conversation with George Anderson
2018  Vice Presents - Red Cards
2019  Noisey meets J Balvin
2019  The New York Yankees: Behind the Broadcast

Editor:
2011  30 Seconds to Air: The Making of the Bill Cunningham Show
2011  After Ever After: Or Numbers on a Napkin
2011  The First 36 hours: An Inside Look at Hurricane Sandy
2013  The Earth, the way I left it
2014  Alive Inside
2015  Behind Some Dark Cloud
2015  Goodnight Moon
2017  Kid Wise - Hold On
2017  Son of Sam: The Killer Speaks
2018  The Dead Can Talk: A conversation with George Anderson
2018  Vice Presents - Red Cards
2019  Noisey meets J Balvin
2019  The New York Yankees: Behind the Broadcast
2021  Home Room
2022  Artist in a Field

Producer:
2011  30 Seconds to Air: The Making of the Bill Cunningham Show
2011  After Ever After: Or Numbers on a Napkin
2011  The First 36 hours: An Inside Look at Hurricane Sandy
2013  The Earth, the way I left it
2014  Alive Inside
2015  Behind Some Dark Cloud
2015  Goodnight Moon
2017  Kid Wise - Hold On
2017  Son of Sam: The Killer Speaks
2018  The Dead Can Talk: A conversation with George Anderson
2018  Vice Presents - Red Cards
2019  Noisey meets J Balvin
2019  The New York Yankees: Behind the Broadcast
2021  Home Room
2022  Artist in a Field

Screenplay:
2011  30 Seconds to Air: The Making of the Bill Cunningham Show
2011  After Ever After: Or Numbers on a Napkin
2011  The First 36 hours: An Inside Look at Hurricane Sandy
2013  The Earth, the way I left it
2014  Alive Inside
2015  Behind Some Dark Cloud
2015  Goodnight Moon
2016  We the People: The Market Basket Effect
2017  Kid Wise - Hold On
2017  Son of Sam: The Killer Speaks
2018  The Dead Can Talk: A conversation with George Anderson
2018  Vice Presents - Red Cards
2019  Noisey meets J Balvin
2019  The New York Yankees: Behind the Broadcast
2021  Home Room
2022  Artist in a Field

Writer:
2011  30 Seconds to Air: The Making of the Bill Cunningham Show
2011  After Ever After: Or Numbers on a Napkin
2011  The First 36 hours: An Inside Look at Hurricane Sandy
2013  The Earth, the way I left it
2014  Alive Inside
2015  Behind Some Dark Cloud
2015  Down to Earth
2015  Goodnight Moon
2016  We the People: The Market Basket Effect
2017  Kid Wise - Hold On
2017  Son of Sam: The Killer Speaks
2018  The Dead Can Talk: A conversation with George Anderson
2018  Vice Presents - Red Cards
2019  Noisey meets J Balvin
2019  The New York Yankees: Behind the Broadcast
2021  Home Room
2022  Artist in a Field

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.