Christine McBurney

Christine was born in Brooklyn, New York, mainly raised in northeast Ohio, but spent many a holiday and summer back on the east coast where she fondly remembers entertaining neighbors on the stoop in Brooklyn, singing and dancing for an audience of women who leaned out of windows. In 2017, she discovered, unbeknownst to her, but suspected by many, her lower east side Italian heritage and the requisite loads of relatives that come with such a discovery. In 2021, she finally and happily landed back in NYC after two fruitful decades of theatre making and teaching and raising her son in Cleveland. The third time has been the charm.  While in NYC as a younger woman, she studied comparative literature and writing at Columbia University's School of General Studies while working at ABC Radio Network News. After a whirlwind solo backpacking adventure across Europe, it was time time for graduate school, so she mustered the courage to pursue a dream she'd put on hold for too long: to study acting. She received her MFA from Kent State University. She is also published author and a U.S. Presidential Scholar Teacher who has won grants, including a National Endowment for the Humanities grant, to study Shakespeare at The Globe Theatre in London, The Juilliard School, and The National Institute on Teaching Shakespeare.  Christine is also an award-winning theatre director and former artistic director. She is an alum of Lincoln Center Theater Directors Lab, Directors Lab West, Directors Lab North, and Cleveland Play House Directors Gym. She has continued her acting training with Shakespeare & Company, Dream Lab Studio, James Ciccone. and Anthony Grasso. She has taught at The Film and Media Arts School at Cleveland State University and Baldwin Wallace University Department of Theatre & Dance. She's an acting coach in private practice. She has completed one screenplay and is writing a second.  She is a member of SAG-AFTRA, AEA & SDC (the Society of Stage Directors & Choreographers).

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.