A work in constant progress (and occasional regress).
Cinematography:
2013 In Gramps' Shoes
2014 Gramps Goes to College
2015 Love Waits
2015 One More Round
2015 The Unexpected Bar Mitzvah
2016 Andy's Rainbow
Co-Producer:
2013 In Gramps' Shoes
2014 Gramps Goes to College
2015 Love Waits
2015 One More Round
2015 The Unexpected Bar Mitzvah
2016 Andy's Rainbow
Director:
2012 Fathers
2013 Homefront
2013 In Gramps' Shoes
2014 Gramps Goes to College
2014 Right to Believe
2014 The Borrowed Christmas
2014 The Gospel Writers' Autographs
2015 Love Waits
2015 One More Round
2015 The Accidental Missionary
2015 The Man in the Empty Chair
2015 The Unexpected Bar Mitzvah
2016 94 Feet
2016 Andy's Rainbow
2016 The Christmas Reunion
2017 Saving Faith
2017 The Colors of Emily
2017 Turbulent
2019 The 3
Director of Photography:
2012 Fathers
2013 Homefront
2013 In Gramps' Shoes
2014 Gramps Goes to College
2014 Right to Believe
2014 The Borrowed Christmas
2014 The Gospel Writers' Autographs
2015 Love Waits
2015 One More Round
2015 The Accidental Missionary
2015 The Man in the Empty Chair
2015 The Unexpected Bar Mitzvah
2016 94 Feet
2016 Andy's Rainbow
2016 The Christmas Reunion
2017 Saving Faith
2017 The Colors of Emily
2017 Turbulent
2019 The 3
Editor:
2012 Fathers
2013 Homefront
2013 In Gramps' Shoes
2014 Gramps Goes to College
2014 Right to Believe
2014 The Borrowed Christmas
2014 The Gospel Writers' Autographs
2015 Love Waits
2015 One More Round
2015 The Accidental Missionary
2015 The Man in the Empty Chair
2015 The Unexpected Bar Mitzvah
2016 94 Feet
2016 Andy's Rainbow
2016 The Christmas Reunion
2017 Saving Faith
2017 The Colors of Emily
2017 Turbulent
2019 The 3
Producer:
2012 Fathers
2013 Homefront
2013 In Gramps' Shoes
2014 Gramps Goes to College
2014 Right to Believe
2014 The Borrowed Christmas
2014 The Gospel Writers' Autographs
2015 Love Waits
2015 One More Round
2015 The Accidental Missionary
2015 The Man in the Empty Chair
2015 The Unexpected Bar Mitzvah
2016 94 Feet
2016 Andy's Rainbow
2016 The Christmas Reunion
2017 Saving Faith
2017 The Colors of Emily
2017 Turbulent
2019 The 3
???? I Sell Bibles
Writer:
2012 Fathers
2013 Homefront
2013 In Gramps' Shoes
2014 Gramps Goes to College
2014 Right to Believe
2014 The Borrowed Christmas
2014 The Gospel Writers' Autographs
2015 Love Waits
2015 One More Round
2015 The Accidental Missionary
2015 The Man in the Empty Chair
2015 The Unexpected Bar Mitzvah
2016 94 Feet
2016 Andy's Rainbow
2016 The Christmas Reunion
2017 Saving Faith
2017 The Colors of Emily
2017 Turbulent
2019 The 3
???? I Sell Bibles
Creator:
2020 The Dark: Great Deceiver
2021 The Dark: The Messenger
2022 The Dark: Forever Winter
Director:
2020 The Dark: Great Deceiver
2021 The Dark: The Messenger
2022 The Dark: Forever Winter
Editor:
2020 The Dark: Great Deceiver
2021 The Dark: The Messenger
2022 The Dark: Forever Winter
Producer:
2020 The Dark: Great Deceiver
2021 The Dark: The Messenger
2022 The Dark: Forever Winter
Writer:
2020 The Dark: Great Deceiver
2021 The Dark: The Messenger
2022 The Dark: Forever Winter
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.