A work in constant progress (and occasional regress).
Tony Oursler’s expressionistic reveries incorporate phantasmagoric sets and rambling stream-of-diseased-consciousness narrative that serve to illustrate the depths of a psyche becoming unhinged. Oursler’s early tapes of personal investigation and social reflection earned him a cult following among New York audiences; his more recent installation work has used projected images on sculptural forms. Oursler has collaborated with a number of other artists, including Constance DeJong, Joe Gibbons, and the band Sonic Youth.
Director:
1979 Diamond
1979 Life of Phillis
1980 The Loner
1980 The Weak Bullet
1981 Grand Mal
1982 Son of Oil
1983 Spinout
1985 EVOL
1987 Sucker
1988 Joyride (TM)
1990 On Our Own
1991 Goo
2001 9/11
2008 Are We Going to Have to Go Through with This Again?
2016 Imponderable
2022 Exquisite Moving Corpse
2023 The Teacher
Director of Photography:
1979 Diamond
1979 Life of Phillis
1980 The Loner
1980 The Weak Bullet
1981 Grand Mal
1982 Son of Oil
1983 Spinout
1985 EVOL
1987 Sucker
1988 Joyride (TM)
1990 On Our Own
1991 Goo
2001 9/11
2008 Are We Going to Have to Go Through with This Again?
2016 Imponderable
2022 Exquisite Moving Corpse
2023 The Teacher
Editor:
1979 Diamond
1979 Life of Phillis
1980 The Loner
1980 The Weak Bullet
1981 Grand Mal
1982 Son of Oil
1983 Spinout
1985 EVOL
1985 Making the Nature Scene
1987 Sucker
1988 Joyride (TM)
1990 On Our Own
1991 Goo
2001 9/11
2008 Are We Going to Have to Go Through with This Again?
2016 Imponderable
2022 Exquisite Moving Corpse
2023 The Teacher
Executive Producer:
1979 Diamond
1979 Life of Phillis
1980 The Loner
1980 The Weak Bullet
1981 Grand Mal
1982 Son of Oil
1983 Spinout
1985 EVOL
1985 Making the Nature Scene
1987 Sucker
1988 Joyride (TM)
1990 On Our Own
1991 Goo
2001 9/11
2008 Are We Going to Have to Go Through with This Again?
2016 Imponderable
2022 Exquisite Moving Corpse
2023 The Teacher
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.