A work in constant progress (and occasional regress).
Assistant Director:
2019 Clickbait
Director:
2015 Bring Us Your Women
2015 Innsmouth
2015 Postpartum
2016 Grindsploitation
2017 60 Seconds to Die
2017 For a Good Time, Call...
2017 Rites of Vengeance
2018 My Monster
2019 Clickbait
2019 Re-Home
2019 Shevenge
2019 The Obliteration of the Chickens
2020 Consider the Titanic
2020 Disco Graveyard
2022 13 Minutes of Horror: Sci-Fi Horror
2022 Meat Friend
2022 Memento Mori
2023 My Trip to Earth
2024 Dark Signals
???? A Favor
???? House of Ashes
???? Picket
Executive Producer:
2015 Bring Us Your Women
2015 Innsmouth
2015 Postpartum
2016 Grindsploitation
2017 60 Seconds to Die
2017 For a Good Time, Call...
2017 Rites of Vengeance
2018 My Monster
2019 Clickbait
2019 Re-Home
2019 Shevenge
2019 The Obliteration of the Chickens
2020 Consider the Titanic
2020 Disco Graveyard
2022 13 Minutes of Horror: Sci-Fi Horror
2022 Meat Friend
2022 Memento Mori
2023 My Trip to Earth
2024 Dark Signals
???? A Favor
???? House of Ashes
???? Picket
Producer:
2015 Bring Us Your Women
2015 Innsmouth
2015 Postpartum
2016 Grindsploitation
2017 60 Seconds to Die
2017 For a Good Time, Call...
2017 Rites of Vengeance
2018 My Monster
2019 Clickbait
2019 Re-Home
2019 Shevenge
2019 The Obliteration of the Chickens
2020 Consider the Titanic
2020 Disco Graveyard
2022 13 Minutes of Horror: Sci-Fi Horror
2022 Meat Friend
2022 Memento Mori
2023 My Trip to Earth
2024 Dark Signals
???? A Favor
???? House of Ashes
???? Picket
Screenplay:
2015 Bring Us Your Women
2015 Innsmouth
2015 Postpartum
2016 Grindsploitation
2017 60 Seconds to Die
2017 For a Good Time, Call...
2017 Rites of Vengeance
2018 My Monster
2019 Clickbait
2019 Re-Home
2019 Shevenge
2019 The Obliteration of the Chickens
2020 Consider the Titanic
2020 Disco Graveyard
2022 13 Minutes of Horror: Sci-Fi Horror
2022 Meat Friend
2022 Memento Mori
2023 My Trip to Earth
2024 Dark Signals
???? A Favor
???? House of Ashes
???? Picket
Special Effects Makeup Artist:
2015 Bring Us Your Women
2015 Innsmouth
2015 Postpartum
2016 Grindsploitation
2017 60 Seconds to Die
2017 For a Good Time, Call...
2017 Rites of Vengeance
2018 My Monster
2019 Clickbait
2019 Re-Home
2019 Shevenge
2019 The Obliteration of the Chickens
2020 Consider the Titanic
2020 Disco Graveyard
2022 13 Minutes of Horror: Sci-Fi Horror
2022 Meat Friend
2022 Memento Mori
2023 My Trip to Earth
2024 Dark Signals
???? A Favor
???? House of Ashes
???? Picket
Writer:
2015 Bring Us Your Women
2015 Innsmouth
2015 Postpartum
2016 Grindsploitation
2017 60 Seconds to Die
2017 For a Good Time, Call...
2017 Rites of Vengeance
2018 My Monster
2019 Clickbait
2019 Re-Home
2019 Shevenge
2019 The Obliteration of the Chickens
2020 Consider the Titanic
2020 Disco Graveyard
2022 13 Minutes of Horror: Sci-Fi Horror
2022 Meat Friend
2022 Memento Mori
2023 My Trip to Earth
2024 Dark Signals
???? A Favor
???? House of Ashes
???? Picket
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.