A work in constant progress (and occasional regress).
Birthplace:
Taormina, Sicily, Italy
Born:
June 13, 1973
Mix Technician:
2014 Panorama
Mixing Engineer:
2014 Panorama
2023 The Last Days of Humanity
Recording Supervision:
2005 GAS
2005 L'Orizzonte degli eventi
2014 Panorama
2014 Quiet Bliss
2019 Copperman
2022 Orlando
2023 The Last Days of Humanity
Scoring Mixer:
2005 GAS
2005 L'Orizzonte degli eventi
2014 Panorama
2014 Quiet Bliss
2019 Copperman
2022 Orlando
2023 The Last Days of Humanity
Sound:
2005 GAS
2005 L'Orizzonte degli eventi
2014 Late Season
2014 Panorama
2014 Quiet Bliss
2016 These Days
2019 Copperman
2022 Orlando
2023 Tempo di attesa
2023 The Last Days of Humanity
Sound Designer:
2005 GAS
2005 L'Orizzonte degli eventi
2014 Late Season
2014 Panorama
2014 Quiet Bliss
2016 Manhunt
2016 These Days
2019 Copperman
2019 Selfie
2020 Assandira
2021 Il Buco
2022 Orlando
2023 Tempo di attesa
2023 The Last Days of Humanity
2023 Waiting Time
Sound Editor:
2005 GAS
2005 L'Orizzonte degli eventi
2012 The Human Cargo
2014 Late Season
2014 Panorama
2014 Quiet Bliss
2016 Just a Movie: On the Set of 'Mia Madre'
2016 Manhunt
2016 These Days
2018 Open to the Public
2019 Copperman
2019 Selfie
2020 Assandira
2021 Il Buco
2021 Il giorno e la notte
2021 Salvatore: Shoemaker of Dreams
2022 Orlando
2023 Tempo di attesa
2023 The Last Days of Humanity
2023 Waiting Time
Sound Engineer:
2005 GAS
2005 L'Orizzonte degli eventi
2012 The Human Cargo
2014 Late Season
2014 Panorama
2014 Quiet Bliss
2016 Just a Movie: On the Set of 'Mia Madre'
2016 Manhunt
2016 These Days
2018 Open to the Public
2019 Copperman
2019 Selfie
2020 Assandira
2021 Il Buco
2021 Il giorno e la notte
2021 Salvatore: Shoemaker of Dreams
2022 Orlando
2023 Tempo di attesa
2023 The Last Days of Humanity
2023 Waiting Time
Sound Mixer:
2002 Maximum Velocity (V-Max)
2005 3.87
2005 Elio Petri: Notes About a Filmmaker
2005 GAS
2005 L'Orizzonte degli eventi
2006 When Children Play in the Sky
2007 Cardiofitness
2012 Diaz - Don't Clean Up This Blood
2012 The Human Cargo
2014 Late Season
2014 Panorama
2014 Quiet Bliss
2015 Showbiz
2016 Just a Movie: On the Set of 'Mia Madre'
2016 Manhunt
2016 These Days
2017 Sun, Heart, Love
2018 It can't always be summer
2018 Open to the Public
2019 Copperman
2019 Selfie
2020 Assandira
2021 Il Buco
2021 Il giorno e la notte
2021 Salvatore: Shoemaker of Dreams
2022 Orlando
2023 Tempo di attesa
2023 The Last Days of Humanity
2023 Waiting Time
Sound Re-Recording Mixer:
2002 Maximum Velocity (V-Max)
2003 The Miracle
2004 Why We Try
2005 3.87
2005 Elio Petri: Notes About a Filmmaker
2005 GAS
2005 L'Orizzonte degli eventi
2005 Provincia meccanica
2006 When Children Play in the Sky
2007 Cardiofitness
2010 One Life, Maybe Two
2012 Diaz - Don't Clean Up This Blood
2012 The Human Cargo
2014 Late Season
2014 Panorama
2014 Quiet Bliss
2015 Showbiz
2016 Just a Movie: On the Set of 'Mia Madre'
2016 Manhunt
2016 These Days
2017 Sun, Heart, Love
2018 It can't always be summer
2018 Open to the Public
2019 Copperman
2019 Selfie
2020 Assandira
2021 Il Buco
2021 Il giorno e la notte
2021 Salvatore: Shoemaker of Dreams
2022 Orlando
2023 Tempo di attesa
2023 The Last Days of Humanity
2023 Waiting Time
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.