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Julie Murray

Biography from TheMovieDB

Julie Murray is an Irish born artist, film and video maker living in the US.  Drawing on her background in the Fine Arts, filmmaker Julie Murray makes short experimental works in digital and film media which are poetical in nature, engaging the textural imprints and limits of the form as an essential element of pictorial content.  Her film and digital works have been exhibited at numerous national and international venues including the New York Film Festival, the Hong Kong International Film Festival, the International Film Festival Rotterdam, the London Film Festival and the Flaherty Film Seminar.  Her work was featured in the 2004 edition of the Whitney Biennial and her films are part of the permanent collections of the Museum of Modern Art and the Whitney Museum of American Art. Her films are also contained in a number of University library collections in the US and are archived at the Academy of Motion Picture Arts and Sciences Film Archive in Los Angeles. Murray has presented her work at venues including REDCAT (Los Angeles), Anthology Film Archives (NY), Media City Film Festival (ON), Pacific Film Archives (CA), Los Angeles Filmforum, the San Francisco Cinematheque, Cinematheque Ontario in Toronto and at the Irish Film Institute, Dublin.  Murray’s early super-8 films were selected for a National Film Preservation Foundation Award in 2014. She taught film production at University of Iowa in 2015-7 and will be a visiting artist at CalArts in Spring of 2019.

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Film Performances

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Film Production

Director:
1986  FF (aka Fuck Face)
1988  Tr'Cheot'My P'sy
1990  A Legend of Parts
1990  Expulsion
1991  Mantilla
1993  Conscious
1995  Anathema
1997  If You Stand with Your Back to the Slowing of the Speed of Light in Water
1999  Domain
2000  Micromoth
2000  Otherrehto
2002  Untitled (Light)
2003  Deliquium
2003  Fl.oz
2003  I Began to Wish
2004  Orchard
2006  Detroit Park
2008  Elements
2008  YSBRYD (spirit)
2010  Distance
2010  The Astronomer’s Dream
2013  Obscura Camera
2014  Cyan
2014  End Reel
2014  Line of Apsides
2015  MATERIA MEDICA
2015  Their
2016  Shored Against a Ruin
2016  Untitled (earth)
2017  1162017 (Nov 6th 2017)
2017  Frequency Objects
2017  Our Eyes Are Armed
2017  Radius
2018  House of Stones
2018  STANZA (Standing Place)
2018  Untitled (time)
2018  WIND WIRE WOUND
2020  Parts & Labour

Editor:
1986  FF (aka Fuck Face)
1988  Tr'Cheot'My P'sy
1990  A Legend of Parts
1990  Expulsion
1991  Mantilla
1993  Conscious
1995  Anathema
1997  If You Stand with Your Back to the Slowing of the Speed of Light in Water
1999  Domain
2000  Micromoth
2000  Otherrehto
2002  Untitled (Light)
2003  Deliquium
2003  Fl.oz
2003  I Began to Wish
2004  Orchard
2006  Detroit Park
2008  Elements
2008  YSBRYD (spirit)
2010  Distance
2010  The Astronomer’s Dream
2013  Obscura Camera
2014  Cyan
2014  End Reel
2014  Line of Apsides
2015  MATERIA MEDICA
2015  Their
2016  Shored Against a Ruin
2016  Untitled (earth)
2017  1162017 (Nov 6th 2017)
2017  Frequency Objects
2017  Our Eyes Are Armed
2017  Radius
2018  House of Stones
2018  STANZA (Standing Place)
2018  Untitled (time)
2018  WIND WIRE WOUND
2020  Parts & Labour

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.