A work in constant progress (and occasional regress).
Alias:
廖沛毅
Simon Liu was raised between Hong Kong and Stoke-On-Trent, UK and now lives in Brooklyn, USA. Liu’s films and 16mm multiple projection performances have been presented at film festivals and institutions internationally including the International Film Festival Rotterdam: Tiger Short Competition, Toronto International Film Festival: Wavelengths, New York Film Festival: Projections, Sundance Film Festival, BFI London Film Festival, Edinburgh IFF, Hong Kong IFF, M+ Museum, Tai Kwun Contemporary, Parrish Art Museum. CROSSROADS @ SFMoMA, Festival du Nouvéau Cinéma, Hamburg Kurzfilmtage, Light Industry, Sheffield Doc/Fest, EMAF, EXiS, IMAGE FORUM and “Dreamlands: Expanded” with the Whitney Museum of American Art & Microscope Gallery. Liu is a 2019 Jerome Hill Artist Fellow and a recipient of the NYSCA / Wave Farm Media Arts Assistance Fund in 2018. His work has been featured in publications including the South China Morning Post, MUBI, Nang Magazine, Millennium Film Journal, and DesistFilm. He is an Adjunct Instructor at the Cooper Union School of Art and a member Negativeland, an artist-run film lab in Brooklyn. He has given lectures and performed as a visiting artist at institutions such as the China Central Academy of Fine Arts, Yale University and the Beijing Film Academy. Liu is currently in post-production on his first feature film, Staffordshire Hoard.
Cinematography:
2021 Happy Valley
Director:
2009 Flyer Boy
2012 Ditchwork
2014 Afternoon In
2014 Donkey Riding
2015 Harbour City
2015 Shuffle Cove
2017 Highview
2018 Fallen Arches
2018 Sneyd Green
2018 Star Ferry
2019 E-Ticket
2020 - force -
2020 Signal 8
2021 Devil's Peak
2021 Happy Valley
2022 Hide & Seek
2023 Let's Talk
2024 Single File
Director of Photography:
2009 Flyer Boy
2012 Ditchwork
2014 Afternoon In
2014 Donkey Riding
2015 Harbour City
2015 Shuffle Cove
2017 Highview
2018 Fallen Arches
2018 Sneyd Green
2018 Star Ferry
2019 E-Ticket
2020 - force -
2020 Signal 8
2021 Devil's Peak
2021 Happy Valley
2022 Hide & Seek
2023 Let's Talk
2024 Single File
Editor:
2009 Flyer Boy
2012 Ditchwork
2014 Afternoon In
2014 Donkey Riding
2015 Harbour City
2015 Shuffle Cove
2017 Highview
2018 Fallen Arches
2018 Sneyd Green
2018 Star Ferry
2019 E-Ticket
2020 - force -
2020 Signal 8
2021 Devil's Peak
2021 Happy Valley
2022 Hide & Seek
2023 Let's Talk
2024 Single File
Production Design:
2009 Flyer Boy
2012 Ditchwork
2014 Afternoon In
2014 Donkey Riding
2015 Harbour City
2015 Shuffle Cove
2017 Highview
2018 Fallen Arches
2018 Sneyd Green
2018 Star Ferry
2019 E-Ticket
2020 - force -
2020 Signal 8
2021 Devil's Peak
2021 Happy Valley
2022 Hide & Seek
2023 Let's Talk
2024 Single File
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.