A work in constant progress (and occasional regress).
Camera Operator:
2014 Endless Corridor
2018 Ashes in the Snow
2022 Decadent No. 2419
Camera Technician:
2014 Endless Corridor
2018 Ashes in the Snow
2018 Owl Mountain
2022 Decadent No. 2419
Cinematography:
2011 Laikinai
2014 Endless Corridor
2018 Ashes in the Snow
2018 Owl Mountain
2022 Decadent No. 2419
Director of Photography:
2008 Noroutine
2011 Laikinai
2012 Toys
2014 Endless Corridor
2017 What We Leave Behind
2018 Ashes in the Snow
2018 Owl Mountain
2022 Decadent No. 2419
First Assistant Camera:
2008 Noroutine
2011 Fireheart: The Legend of Tadas Blinda
2011 Laikinai
2012 Toys
2012 Vanishing Waves
2014 Endless Corridor
2014 Redirected
2017 What We Leave Behind
2018 Ashes in the Snow
2018 Owl Mountain
2019 Still River
2022 Decadent No. 2419
Steadicam Operator:
2008 Noroutine
2011 Fireheart: The Legend of Tadas Blinda
2011 Laikinai
2012 Toys
2012 Vanishing Waves
2014 Endless Corridor
2014 Redirected
2017 What We Leave Behind
2017 Yana
2018 Aldebaran
2018 Ashes in the Snow
2018 Owl Mountain
2019 Still River
2020 Nova Lituania
2021 Dance
2022 Decadent No. 2419
2023 There's Something in the Barn
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.