A work in constant progress (and occasional regress).
Alias:
Tanel ”Sookoll” Toomsalu
Assistant Editor:
2015 The Fencer
Colorist:
2010 Messenger Knocks Three Times
2015 The Fencer
Digital Compositor:
2010 Messenger Knocks Three Times
2015 The Fencer
2020 Meanwhile on Earth
Online Editor:
2010 Messenger Knocks Three Times
2012 All Musicians Are Bastards
2012 Mushrooming
2013 Tangerines
2014 In the Crosswind
2014 Landscape with Many Moons
2015 The Fencer
2016 The Days That Confused
2016 The Spy And The Poet
2017 Scary Mother
2018 Portugal
2018 Take It or Leave It
2018 The Little Comrade
2019 A Year Full of Drama
2019 Truth and Justice
2020 Meanwhile on Earth
2021 Estonian Funeral
2022 Kalev
2023 Stairway to Heaven
2023 Two Men on Train and Someone Else
2024 8 Views of Lake Biwa
Title Designer:
2010 Messenger Knocks Three Times
2012 All Musicians Are Bastards
2012 Mushrooming
2013 Tangerines
2014 In the Crosswind
2014 Landscape with Many Moons
2015 The Fencer
2016 The Days That Confused
2016 The Spy And The Poet
2017 Scary Mother
2018 Portugal
2018 Take It or Leave It
2018 The Little Comrade
2019 A Year Full of Drama
2019 Truth and Justice
2020 Meanwhile on Earth
2021 Estonian Funeral
2021 Kids of the Night
2022 Kalev
2023 Stairway to Heaven
2023 Two Men on Train and Someone Else
2024 8 Views of Lake Biwa
VFX Artist:
2010 Messenger Knocks Three Times
2012 All Musicians Are Bastards
2012 Mushrooming
2013 Tangerines
2014 In the Crosswind
2014 Landscape with Many Moons
2015 The Fencer
2016 The Days That Confused
2016 The Spy And The Poet
2017 Scary Mother
2018 Portugal
2018 Take It or Leave It
2018 The Little Comrade
2019 A Year Full of Drama
2019 Truth and Justice
2020 Meanwhile on Earth
2021 Estonian Funeral
2021 Kids of the Night
2022 Kalev
2023 Last Sentinel
2023 Stairway to Heaven
2023 Two Men on Train and Someone Else
2024 8 Views of Lake Biwa
2024 Lioness
Visual Effects:
2008 The Second Coming
2010 Messenger Knocks Three Times
2012 All Musicians Are Bastards
2012 Mushrooming
2013 Tangerines
2014 In the Crosswind
2014 Landscape with Many Moons
2014 Zero Point
2015 The Fencer
2016 The Days That Confused
2016 The Spy And The Poet
2017 Manslayer/Virgin/Shadow
2017 Scary Mother
2018 Portugal
2018 Take It or Leave It
2018 The Little Comrade
2019 A Year Full of Drama
2019 Truth and Justice
2020 Meanwhile on Earth
2020 On the Water
2021 Estonian Funeral
2021 Kids of the Night
2022 3rd Octave F
2022 Kalev
2023 Last Sentinel
2023 Stairway to Heaven
2023 Two Men on Train and Someone Else
2024 8 Views of Lake Biwa
2024 Lioness
Visual Effects Compositor:
2008 The Second Coming
2010 Messenger Knocks Three Times
2012 All Musicians Are Bastards
2012 Mushrooming
2013 Tangerines
2014 In the Crosswind
2014 Landscape with Many Moons
2014 Zero Point
2015 The Fencer
2016 The Days That Confused
2016 The Spy And The Poet
2017 Manslayer/Virgin/Shadow
2017 Scary Mother
2018 Portugal
2018 Take It or Leave It
2018 The Little Comrade
2019 A Year Full of Drama
2019 Truth and Justice
2020 Meanwhile on Earth
2020 On the Water
2021 Estonian Funeral
2021 Kids of the Night
2022 3rd Octave F
2022 Kalev
2023 Last Sentinel
2023 Stairway to Heaven
2023 Two Men on Train and Someone Else
2024 8 Views of Lake Biwa
2024 Lioness
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.