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Joshua R. Aragon (b. 1984)

Alias:
Josh Aragon
Joshua Aragon

Birthplace:
Albuquerque, New Mexico, USA

Born:
February 14, 1984

Biography from TheMovieDB

In 1990, Joshua R. Aragon started working at Get Dwn Entertainment handling duties such as graphic design, running the studio, and booking artists. Between the ages of 6 and 20, Aragon was also a Sound FX mobile disc jockey. In 2008, Aragon started working in the film industry doing background work. Since 2008, Aragon can be seen on television series such as "Breaking Bad", "In Plain Sight", "Easy Money", as well as principal roles in movies such as "We're The Millers", "2Guns", "Frontera", "Force Of Exectition", and more. Working alongside the likes of Denzel Washington, Mark Wahlberg, Jennifer Anistion, Eva Longoria, Michael Pena, Ed Harris, and various other actors and actresses has allowed Aragon to learn from and work with some of the best in the industry. In 2011, Aragon started the ILLFest Concert Series, in which the likes of Rittz, Crooked I, Chino XL, Diabolic, Apathy, Brotha Lynch Hung, Twista, and other artists were brought to the stages of Albuquerque. Utilizing his ability in promotions and marketing, Aragon has been involved with numerous successful concerts and events as well as helping spread the sounds of artists Reno and TrebolClef. In January of 2013, Aragon started doing prop work, which has expanded his knowledge and abilities to carry over to behind the camera. With movies such as "ForceOfExecution", "Scorch Trials", "Sicario", "BigSky" and TV shows such as "Dig", "Manhattan Project" & NBC's newest show "ThePlayer". Aragon steadily shows his support to his city, state, and other individuals pursuing their goals.

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Additional information:

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Film Performances

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Film Production

Assistant Property Master:
2019  The True Adventures of Wolfboy
2020  Stargirl

Property Master:
2019  The True Adventures of Wolfboy
2020  Stargirl
2020  Top Gunner
2022  Cowboy Drifter
2022  The Commando
2023  Flamin' Hot
????  Killing Faith

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.