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Emmanuel Amara

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Film Production

Director:
2004  The astonishing destiny of General Luo
2013  The Pact
2015  Les raisins de la guerre
2017  Josef Mengele: Hunting a Nazi Criminal
2018  Canal du Midi : un patrimoine révélé
2018  Mai 68, les coulisses de la révolte
2020  De Gaulle, l'homme à abattre
2020  Genie Français – Les Fortresses de Vauban
2020  Hitler - Die letzten Tage
2020  La liste Goring
2020  The Other Goering
2022  Jean Moulin, La Vérité Retrouvée
2022  Jean-Marie Le Pen, l'homme qui ne voulait pas le pouvoir ?

Producer:
2004  The astonishing destiny of General Luo
2013  The Pact
2014  Les derniers secrets d'Hitler
2015  Les raisins de la guerre
2017  Josef Mengele: Hunting a Nazi Criminal
2018  Canal du Midi : un patrimoine révélé
2018  Mai 68, les coulisses de la révolte
2020  De Gaulle, l'homme à abattre
2020  Genie Français – Les Fortresses de Vauban
2020  Hitler - Die letzten Tage
2020  La liste Goring
2020  The Other Goering
2022  Jean Moulin, La Vérité Retrouvée
2022  Jean-Marie Le Pen, l'homme qui ne voulait pas le pouvoir ?

Writer:
2004  The astonishing destiny of General Luo
2013  The Pact
2014  Les derniers secrets d'Hitler
2015  Les raisins de la guerre
2017  Josef Mengele: Hunting a Nazi Criminal
2018  Canal du Midi : un patrimoine révélé
2018  Mai 68, les coulisses de la révolte
2020  De Gaulle, l'homme à abattre
2020  Genie Français – Les Fortresses de Vauban
2020  Hitler - Die letzten Tage
2020  La liste Goring
2020  The Other Goering
2022  Jean Moulin, La Vérité Retrouvée
2022  Jean-Marie Le Pen, l'homme qui ne voulait pas le pouvoir ?

Click the heading above to show or hide the list.

TV Production

Author:
2019  1940, Les secrets de l’Armistice

Creator:
2019  1940, Les secrets de l’Armistice

Director:
2006  Infrarouge
2008  Le Doc du dimanche
2015  The Cuba Libre Story
2019  1940, Les secrets de l’Armistice

Writer:
2006  Infrarouge
2008  Le Doc du dimanche
2015  The Cuba Libre Story
2019  1940, Les secrets de l’Armistice

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.