Oliviero Toscani (b. 1942)

Gallery Unavailable

Birthplace:
Milan, Lombardy, Italy

Born:
February 28, 1942

On the international scene, he’s known as the creative force behind the most famous and original marks in the world. Over the years, he has created corporate images and publicity campaigns for Esprit, Chanel, Robe di Kappa, Fiorucci, Prenatal, Jesus, Inter, Snai, Toyota, the Ministry of Work, the Ministry of Health, Artemide, Woolworth and others. His latest projects include collaborating with the Ministry for the Environment and the Ministry of Health, with the Calabria Regional Authority, the Umberto Veronesi Foundation and some campaigns of social interest and importance dedicated to road safety, violence against women and the plight of stray animals. As a fashion photographer, he’s worked and indeed still collaborates with publications including Elle, Vogue, GQ, Harper’s Bazaar, Esquire, Stern, Liberation and many others in the world at large.  From 1982 to 2000, he created the image, identity, communications strategy and online presence for United Colors of Benetton, transforming it into one of the best-known marks in the world. In 1990, he created and directed Colors, the first worldwide newspaper in history, and in 1993 he conceived and directed Fabrica, a centre of research and creativity in modern communication. From 1999 to 2000, he was creative director of the monthly Talk Miramax in New York directed by Tina Brown. Toscani was one of the founders of the Academy of Architecture in Mendrisio, has taught visual communication in various universities and has written various books on communication. After nearly five decades of editorial innovation, publicity, movies and TV, he’s now involved in creativity in communication applied to the various forms of media, and working with his studio produces editorial projects, books, TV shows and exhibitions. In 2007, Oliviero Toscani began Razza Umana (Human Race), a photography and video project on the various human morphologies and conditions, with the purpose of representing all of humanity’s expressions, physical, somatic, social and cultural characteristics, touching on some 100 Italian regions as well as Israel, Palestine, Japan, Namibia and Guatemala. For nearly 30 years, he’s been involved in New Italian Landscapes, a project opposing Italy’s degradation. His works have been shown at the Venice Biennale, in San Paolo in Brazil, at the Milan Triennale and in museums of modern and contemporary art throughout the world.  He has been awarded numerous prizes among which four Golden Lions, the UNESCO Grand Prix, two Grand Prix d’Affichage and many awards from the Art Directors Club throughout the world. He’s also won the Saatchi & Saatchi creative hero prize. The Urbino Accademia di Belle Arti awarded him the Sogno di Piero prize and the Florence Accademia delle Belle Arti granted him the title of Honorary Academic. Oliviero Toscani is also an honorary member of the Comitato Leonardo and the European Academy of Sciences and Arts.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.