A work in constant progress (and occasional regress).
Alias:
Estèva Roda Gil
Birthplace:
Montauban, Tarn-et-Garonne, France
Born:
August 1, 1941
Died:
May 31, 2004
Étienne Roda-Gil (1 August 1941 in Septfonds, Tarn-et-Garonne, France – 31 May 2004 in Paris) was a songwriter and screenwriter. He was an anarchist and an anarcho-syndicalist. Roda-Gil was born in the Septfonds internment camp to refugees who had fled Francoism at the end of the Spanish Civil War. His father, Antonio Roda Vallès, had been a militant with the CNT and a member of the Durruti column. In the early 1950s the family moved to Antony, a suburb of Paris, where he studied at the Lycée Henri IV. In 1959, when he was called to military service in Algeria, Roda-Gil instead fled to London, where he became active in anarchist and rock-and-roll circles. He returned to France after receiving a reprieve. Roda-Gil participated in the Iberian Federation of Libertarian Youth and the Situationist International, and was an active participant in the events of May 1968. He met singer Julien Clerc in a café in Paris's Latin Quarter in 1968, and became his songwriter. He also wrote for Mort Shuman, Angelo Branduardi, Barbara, Vanessa Paradis, Johnny Hallyday, Claude François, Juliette Gréco, and Malicorne, among others. In 1989, he received the grand prix of songwriting from SACEM (La Société des auteurs, compositeurs et éditeurs de musique). He also won SACEM's Prix Vincent-Scotto in 1993. Roda-Gil died in Paris on 31 May 2004. Roda-Gil was married to painter Nadine Delahaye from 1965 until her death in 1990. Source: Article "Étienne Roda-Gil" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.