Jeffrey Hartmann

A work in constant progress (and occasional regress).

Luciano Vignola

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Film Production

ADR Editor:
2017 Novitiate
2018 Dragged Across Concrete

ADR Mixer:
2017  Novitiate
2018  Dragged Across Concrete
2018  Lizzie

Assistant Sound Editor:
2013  Frances Ha
2017  Novitiate
2018  Dragged Across Concrete
2018  Lizzie
????  Waiting for the Future

Dialogue Editor:
2013  Frances Ha
2015  Bone Tomahawk
2017  AWOL
2017  Novitiate
2018  Dragged Across Concrete
2018  Lizzie
2019  Dark Waters
2019  The Report
2020  The Stand In
????  Waiting for the Future

Recording Supervision:
2013  Frances Ha
2015  Bone Tomahawk
2017  AWOL
2017  Novitiate
2018  Dragged Across Concrete
2018  Lizzie
2018  The Feeling of Being Watched
2019  Dark Waters
2019  The Report
2020  The Stand In
????  Waiting for the Future

Sound Editor:
2013  Frances Ha
2014  In Residence: Ricardo Bofill
2015  Bone Tomahawk
2015  In Transit
2017  AWOL
2017  Novitiate
2018  Dragged Across Concrete
2018  Lizzie
2018  The Feeling of Being Watched
2019  Dark Waters
2019  The Report
2020  The Stand In
????  Waiting for the Future

Sound Re-Recording Mixer:
2013  Frances Ha
2014  In Residence: Ricardo Bofill
2015  Bone Tomahawk
2015  In Transit
2017  AWOL
2017  Novitiate
2018  Dragged Across Concrete
2018  Lizzie
2018  The Feeling of Being Watched
2019  Cuba Scalds His Hand
2019  Dark Waters
2019  Mapplethorpe
2019  The Giant
2019  The Report
2019  Villains
2020  The Stand In
2021  Some Kind of Heaven
2022  Bodies Bodies Bodies
2023  A Thousand and One
????  The Parenting
????  Waiting for the Future

Supervising ADR Editor:
2013  Frances Ha
2014  In Residence: Ricardo Bofill
2015  Bone Tomahawk
2015  In Transit
2017  AWOL
2017  Novitiate
2018  Dragged Across Concrete
2018  Lizzie
2018  The Feeling of Being Watched
2019  Cuba Scalds His Hand
2019  Dark Waters
2019  Mapplethorpe
2019  The Giant
2019  The Report
2019  Villains
2020  The Stand In
2021  Some Kind of Heaven
2022  Bodies Bodies Bodies
2023  A Thousand and One
????  The Parenting
????  Waiting for the Future

Supervising Sound Editor:
2013  Frances Ha
2014  In Residence: Ricardo Bofill
2015  Bone Tomahawk
2015  In Transit
2017  AWOL
2017  Arthur Miller: Writer
2017  Novitiate
2018  Dragged Across Concrete
2018  Lizzie
2018  The Feeling of Being Watched
2018  We the Animals
2019  Cuba Scalds His Hand
2019  Dark Waters
2019  Mapplethorpe
2019  The Giant
2019  The Report
2019  Villains
2020  The Stand In
2021  Some Kind of Heaven
2022  Bodies Bodies Bodies
2023  A Thousand and One
2023  Stane
????  The Parenting
????  Waiting for the Future

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TV Production

Sound Re-Recording Mixer:
2020  Betty
2021  Halston
2022  Pachinko
2022  The Staircase

Supervising Sound Editor:
2019  Dickinson
2020  Betty
2021  Halston
2022  Pachinko
2022  The Staircase

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.