A work in constant progress (and occasional regress).
Alias:
Joy Hanae Cretton
Joy Hanae Lani Cretton
Joy Cretton is a costume designer. Cretton was born in Haiku, on the island of Maui, Hawaii. Growing up in a creative, close-knit family of six children, she and her siblings were homeschooled by their mother, who encouraged imaginative exploration. Joy later moved to California with her family to pursue her passion for design and the arts. Her career in costume design has spanned both independent films and blockbuster productions. She is credited for her work on acclaimed films like Short Term 12 (2013) and Just Mercy (2019), and gained wider recognition as an assistant costume designer for Marvel's Shang‑Chi and the Legend of the Ten Rings (2021). She served as costume designer on Disney+'s American Born Chinese (2023), the live‑action adaptation of Gene Luen Yang's National Book Award–nominated graphic novel. In American Born Chinese, Cretton led a visually striking and culturally sensitive costume narrative that blended traditional mythological aesthetics with contemporary fashion. She collaborated with Asian‑American designers like Prabal Gurung, Phillip Lim, Kenneth Barlis, and Vivian Chan. She incorporated runway and ready‑to‑wear pieces alongside bespoke creations. Notable designs include Michelle Yeoh as Guanyin, featuring jade and lotus motifs, Ke Huy Quan's Guan Yu battle‑ready robes, Poppy Liu's Princess Iron Fan profile, and Jimmy O. Yang's Dragon King suit. Cretton's work was widely praised for channelling the series' emotional arcs, mythic grandeur, and cultural authenticity. Joy has also collaborated closely with her brother, director Destin Daniel Cretton, who has described her as an essential creative partner. She returned to the Marvel Cinematic Universe to serve as costume designer for her brother's Disney+ TV show, Wonder Man (2025).
Assistant Costume Designer:
2015 I'll See You in My Dreams
2019 Just Mercy
2019 The Petal Pushers
2021 Shang-Chi and the Legend of the Ten Rings
Costume Design:
2013 I Am Not a Hipster
2013 Short Term 12
2015 I'll See You in My Dreams
2017 The Glass Castle
2018 Dance Baby Dance
2019 Just Mercy
2019 The Petal Pushers
2021 Shang-Chi and the Legend of the Ten Rings
Costume Supervisor:
2013 I Am Not a Hipster
2013 Short Term 12
2015 I'll See You in My Dreams
2017 The Glass Castle
2017 Unicorn Store
2018 Dance Baby Dance
2019 Just Mercy
2019 The Petal Pushers
2021 Shang-Chi and the Legend of the Ten Rings
Wardrobe Assistant:
2013 I Am Not a Hipster
2013 Short Term 12
2015 I'll See You in My Dreams
2016 The Love Witch
2017 The Glass Castle
2017 Unicorn Store
2018 Dance Baby Dance
2019 Just Mercy
2019 The Petal Pushers
2021 Shang-Chi and the Legend of the Ten Rings
Costume Design:
2018 Buried In The Backyard
2019 Mr. Mom
2020 Murdered by Morning
2023 American Born Chinese
2026 Wonder Man
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.