Zacharias Werner (1768-1823)

Gallery Unavailable

Birthplace:
Königsberg, East Prussia, Germany

Born:
November 18, 1768

Died:
January 17, 1823

From Wikipedia, the free encyclopedia - https://en.wikipedia.org/wiki/Zacharias_Werner.  Friedrich Ludwig Zacharias Werner (November 18, 1768 – January 17, 1823) was a German poet, dramatist, and preacher. As a dramatist, he is known mainly for inaugurating the era of the so-called “tragedies of fate.”  Werner was born at Königsberg in East Prussia. At the University of Königsberg, he studied law and attended Kant's lectures. Jean-Jacques Rousseau and Rousseau's German disciples were also influences that shaped his view of life. He lived an irregular life and entered a series of unsuccessful marriages. However his talent was soon recognized, and in 1793 he became chamber secretary in the Prussian service in Warsaw. In 1805 he obtained a government post in Berlin, but two years later he retired from the public service in order to travel.  In the course of his travels, and by correspondence, Werner became acquainted with many eminent literary figures of the time, for example Goethe at Weimar and Madame de Staël at Coppet. At Rome, he joined the Roman Catholic Church in 1811. He was consecrated a priest in 1814 at Aschaffenburg, and, exchanging the pen for the pulpit, became a popular preacher in Vienna, where, during a congress in 1814, his eloquent sermons were listened to by crowded congregations. He was later appointed head of the chapter of the cathedral of Kaminiec.  Werner died in Vienna.

Additional information:

The Search Form


Original Story:
2010  Attila

Story:
2001  Attila
2010  Attila

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.