Robert V. Barron (1932-2000)

Birthplace:
Charleston, West Virginia, USA

Born:
December 26, 1932

Died:
December 1, 2000

Tall, gaunt, rawboned character actor with deep voice, reminiscent of John Carradine. Formal education at Morris Harvey College in Charleston, West Virginia and as Theater Arts major at UCLA. Professional training at American Academy of Dramatic Arts in New York City, and at Max Reinhardt Workshop in Los Angeles. Before attacking Hollywood, he spent several years working in regional theaters from one end of the US to the other, and had built an impressive resume of glowing reviews of his performances in such roles as "Cyrano de Bergerac", "Abe Lincoln in Illinois", "Sir Thomas More" in "A Man For All Seasons", "Henry Drummond" in "Inherit The Wind", "Richard III" and the like, but he was never offered such lofty challenges in films or television. Still, he didn't languish, but instead relished every chance he was given to play for the camera, whether in a quality major studio production or the cheesiest of no-budget fly-by-night productions. When he wasn't acting, he uncovered his typewriter and cranked out teleplays and movie scripts. Perhaps his best-remembered television script was his first, a lighthearted comedy episode of the Bonanza (1959) series, titled Bonanza: Hoss and the Leprechauns (1963). As a writer, he drifted into adapting English-dubbing scripts of foreign films. American producers began buying successful Japanese animated series and dubbing them into English, and Barron was a pioneer in that industry, which grew rapidly and enormously. He became executive director and story editor for "Saban Productions", which in the course of five years became one of the largest producers of children's programming in the world, with such shows as X-Men: The Animated Series (1992) and Mighty Morphin Power Rangers (1993).

Additional information:

The Search Form


Creator:
1986  Macron 1

Director:
1985  Robotech
1986  Macron 1

Writer:
1985  Robotech
1986  Macron 1
1994  Jin Jin and the Panda Patrol

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.