A work in constant progress (and occasional regress).
Birthplace:
Paris, France
Born:
October 2, 1933
Michel Plasson (born 2 October 1933, Paris, France) is a French conductor. Plasson was a student of Lazare Lévy at the Conservatoire de Paris. In 1962, he was a prize-winner at the International Besançon Competition for Young Conductors. He studied briefly in the United States, including time with Charles Münch. He became the music director of the city of Metz for 3 years. In 1968, Plasson became principal conductor of the Orchestre et Chœurs du Capitole de Toulouse. His recordings with the orchestra include orchestral works, and operettas of Jacques Offenbach, including Orphée aux enfers, La Vie parisienne, La Périchole and La belle Hélène, and Bizet's Carmen. Plasson resigned as principal conductor in 2003 and now has the title of "Honorary Conductor", or conductor emeritus. From 1994 to 2001, he was principal conductor of the Dresden Philharmonic. Guest appearances include Grand Théâtre de Genève, De Nederlandse Opera (Amsterdam) and the Royal Opera House, Covent Garden. Plasson's son Emmanuel Plasson is also a conductor. Plasson's recordings were mainly made for EMI/Virgin, and focused upon works by French composers. Among these recordings, his interpretations for the operatic works by Offenbach, Gounod and Massenet were generally considered as excellent by critics. Source: Article "Michel Plasson" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Conductor:
2010 Massenet: Werther
Music Director:
2000 Jérusalem
2010 Massenet: Werther
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.