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Max Fassbender

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Alias:
Max Faßbender

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Film Production

Camera Operator:
1916  Clash of the Titans
1922  Marie Antoinette - Das Leben einer Königin

Cinematography:
1915  Stuart Webbs: Die Toten erwachen
1916  Clash of the Titans
1916  Revenge of the Dead
1917  A Night of Horror
1918  Der ewige Zweifel
1919  Around the World in 80 Days
1921  Frauenbeichte, 1. Teil - Die Beichte einer Ausgestossenen
1922  Frauenbeichte, 3. Teil - Die Beichte der Krankenschwester
1922  Marie Antoinette - Das Leben einer Königin

Director of Photography:
1914  Stuart Webbs: Die geheimnisvolle Villa
1914  Stuart Webbs: The Man in the Cellar
1915  Der gestreifte Domino
1915  Stuart Webbs: Die Toten erwachen
1916  Am Amboß des Glücks
1916  Clash of the Titans
1916  Der chinesische Götze. Das unheimliche Haus. 3. Teil
1916  Freitag, der 13. Das unheimliche Haus. 2. Teil
1916  Nebel und Sonne
1916  Revenge of the Dead
1916  Seltsame Köpfe
1916  The Uncanny House
1917  A Night of Horror
1917  Es werde Licht!
1917  The Picture of Dorian Gray
1918  Colomba
1918  Das Dreimäderlhaus
1918  Der ewige Zweifel
1918  Diary of a Lost Woman
1918  Es werde Licht! 2. Teil
1918  Es werde Licht! 3. Teil
1918  Es werde Licht! 4. Teil: Sündige Mütter
1918  Jettchen Geberts Geschichte. 1. Jettchen Gebert
1918  Mitternacht
1918  Rennfieber
1918  The Story of Dida Ibsen
1919  Around the World in 80 Days
1919  Different from the Others
1919  Harakiri
1919  Peer Gynt - 1. Teil: Peer Gynts Jugend
1919  Peer Gynt - 2. Teil: Peer Gynts Wanderjahre und Tod
1921  Das Rattenloch
1921  Frauenbeichte, 1. Teil - Die Beichte einer Ausgestossenen
1922  Frauenbeichte, 3. Teil - Die Beichte der Krankenschwester
1922  Marie Antoinette - Das Leben einer Königin

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.