Luke Gilford

Luke Gilford is a filmmaker and photographer from Evergreen, Colorado and currently based in New York City and Los Angeles. Luke studied Art at UCLA and his photography and films have been exhibited around the world; including MoMA in New York, FOAM in Amsterdam, and at Sundance's NEXT festival. Luke's work provides a poetic and cinematic look into his surreal world, combining a unique visual style with a strong sense of intimacy with his subjects. This is exemplified by Connected, the short film Luke wrote and directed in 2016, which premiered on VICE and received a Webby Award for ‘Best Drama’ in 2017. Luke has directed music videos for Christina Aguilera, Kesha and Troye Sivan, and photographed & directed campaigns for Valentino, Apple and Mercedes Benz. His work has been featured in The New York Times, Vanity Fair, and Vogue. His photography monograph, National Anthem, was published in 2020 by Damiani Books and is currently a traveling exhibition to museums and galleries internationally. Luke wrote and directed a feature film adaptation of National Anthem, premiering at South By Southwest Film Festival 2023.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.