A work in constant progress (and occasional regress).
Birthplace:
Wilrijk, Belgium
Kristian Van der Heyden began Harald House Belgium in 2016 after honing his skills in Los Angeles as a writer, producer, and actor for eight years. He produced "A Punk Daydream" (2019), a documentary that delves into the street punk culture of Indonesia, which premiered at Rotterdam Film Festival in 2019. Kristian produced "Slave Island," a co-production with Belgium, Estonia, Taiwan, and Italy, about present-day slavery on a remote island of Indonesia, which premiered at Movies That Matter 2025. His projects typically explore significant social challenges within various communities, across cultures. Fiore Mio, a documentary about life in the Aosta Mountains by Paolo Cognetti is released by Lumiere in Benelux and released in Italy in over 300 theaters. Appreciative of the learning experiences each project brings, Kristian’s dedication to impactful storytelling was acknowledged in 2022 when he was named an Emerging Producer at the Ji-Hlava Film Festival.
Co-Producer:
2024 Epilogues
2025 Renovation
Executive Producer:
2024 Epilogues
2025 Renovation
2025 Slave Island
Post-Production Manager:
2024 Epilogues
2025 Renovation
2025 Slave Island
Producer:
2024 Daughter
2024 Epilogues
2025 Renovation
2025 Slave Island
2025 Supernatural
Screenplay:
2019 A Punk Daydream
2024 Daughter
2024 Epilogues
2025 Renovation
2025 Slave Island
2025 Supernatural
Writer:
2019 A Punk Daydream
2024 Daughter
2024 Epilogues
2025 Renovation
2025 Slave Island
2025 Supernatural
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.