Ahmet Üstel (1930-1983)

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Birthplace:
Istanbul, Turkey

Born:
May 20, 1930

Died:
July 13, 1983

Additional information:

The Search Form


Producer:
1954  Son Baskın
1955  Izdırap Şarkısı

Scenario Writer:
1954  Son Baskın
1955  Izdırap Şarkısı
1969  Acı ile Karışık
1979  Vay Başımıza Gelenler

Screenplay:
1954  Son Baskın
1955  Izdırap Şarkısı
1968  Kezban
1969  Acı ile Karışık
1969  Fakir Kızı Leyla
1971  Tamam mı Canım
1975  Thanks a Lot, Granny
1979  Vay Başımıza Gelenler

Script Editor:
1954  Son Baskın
1955  Izdırap Şarkısı
1968  Kezban
1969  Acı ile Karışık
1969  Fakir Kızı Leyla
1971  Tamam mı Canım
1973  Kader Yolcuları
1975  Thanks a Lot, Granny
1979  Vay Başımıza Gelenler

Writer:
1954  Son Baskın
1955  Izdırap Şarkısı
1966  Golden Earrings
1968  Kezban
1968  Zengin ve Serseri
1969  Acı ile Karışık
1969  Fakir Kızı Leyla
1969  Kahraman Delikanlı
1969  Uykusuz Geceler
1970  Duyduk Duymadık Demeyin
1971  Kezban in Paris
1971  Loving You is My Destiny
1971  Severek Ayrılalım
1971  Tamam mı Canım
1971  Yavru ile Katip
1972  Ay, Aman, Of!..
1972  Kırk Yalan Memiş
1972  Oğlum
1973  Ben Doğarken Ölmüşüm
1973  If Only Life Would Be Like A Feast
1973  Kader Yolcuları
1973  Tatlım
1974  Aç gözünü Mehmet
1974  Mahcup Delikanlı
1974  You Can't Get Married With 100 Lira
1975  Beş Milyoncuk Borç Verir misin
1975  Bir Yabancı
1975  Dad, Make Me Marry
1975  Firefly
1975  Güler misin Ağlar mısın
1975  Gülşah
1975  Salak Bacılar
1975  Thanks a Lot, Granny
1976  Beş Dakikada Beşiktaş
1976  Bülbül Ailesi
1976  There is a Lion in Every Heart
1976  Where Are These Guys Looking At?
1977  Yangın
1978  Cafer'in Çilesi
1979  Köşe Kapmaca
1979  Vay Başımıza Gelenler
1983  Yedi Bela Hüsnü

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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